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CHAPTER XVII.
THE GOLDEN
FLEECE- MEDEA
THE GOLDEN FLEECE
IN very ancient times there lived in Thessaly a king and queen
name Athamas and Nephele. They had two children, a boy and a girl.
After a time Athamas grew indifferent to his wife, put her away, and
took another. Nephele suspected danger to her children from the
influence of the step-mother, and took measures to send them out of
her reach. Mercury assisted her, and gave her a ram with a golden
fleece, on which she set the two children, trusting that the ram
would convey them to a place of safety. The ram vaulted into the air
with the children on his back, taking his course to the East, till
when crossing the strait that divides Europe and Asia, the girl,
whose name was Helle, fell from his back into the sea, which from
her was called the Hellespont,- now the Dardanelles. The ram
continued his career till he reached the kingdom of Colchis, on the
eastern shore of the Black Sea, where he safely landed the boy
Phryxus, who was hospitably received by AEetes, king of the country.
Phryxus sacrificed the ram to Jupiter, and gave the Golden Fleece to
AEetes, who placed it in a consecrated rove, under the care of a
sleepless dragon.
There was another kingdom in Thessaly near to that of Athamas,
and ruled over by a relative of his. The king AEson, being tired of
the cares of government, surrendered his crown to his brother Pelias
on condition that he should hold it only during the minority of
Jason, the son of AEson. When Jason was grown up and came to demand
the crown from his uncle, Pelias pretended to be willing to yield
it, but at the same time suggested to the young man the glorious
adventure of going in quest of the Golden Fleece, which it was well
known was in the kingdom of Colchis, and was, as Pelias pretended,
the rightful property of their family. Jason was pleased, with the
thought and forthwith made preparations for the expedition. At that
time the only species of navigation known to the Greeks consisted of
small boats or canoes hollowed out from trunks of trees, so that
when Jason employed Argus to build him a vessel capable of
containing fifty men, it was considered a gigantic undertaking. It
was accomplished, however, and the vessel named "Argo," from the
name of the builder. Jason sent his invitation to all the
adventurous young men of Greece, and soon found himself at the head
of a band of bold youths, many of whom afterwards were renowned
among the heroes and demigods of Greece. Hercules, Theseus, Orpheus,
and Nestor were among them. They are called the Argonauts, from the
name of their vessel.
The "Argo" with her crew of heroes of Thessaly and having touched
at the Island of Lemnos, thence crossed to Mysia and thence to
Thrace. Here they found the sage Phineus, and from him received
instruction as to their future course. It seems the entrance of the
Euxine Sea was impeded by two small rocky islands, which floated on
the surface, and in their tossings and heavings occasionally came
together, crushing and grinding to atoms any object that might be
caught between them. They were called the Symplegades, or Clashing
Islands. Phineus instructed the Argonauts how to pass this dangerous
strait. When they reached the islands they let go a dove, which took
her way between the rocks, and passed in safety, only losing some
feathers of her tail. Jason and his men seized the favourable moment
of the rebound, plied their oars with vigour, and passed safe
through, though the islands closed behind them, and actually grazed
their stern. They now rowed along the shore till they arrived at the
eastern end of the sea, and landed at the kingdom of Colchis.
Jason made known his message to the Colchian king, AEetes, who
consented to give tip the golden fleece if Jason would yoke to the
plough two fire-breathing bulls with brazen feet, and sow the teeth
of the dragon which Cadmus had slain, and from which it was well
known that a crop of armed men would spring up, who would turn their
weapons against their producer. Jason accepted the conditions, and a
time was set for making the experiment. Previously, however, he
found means to plead his cause to Medea, daughter of the king. He
promised her marriage, and as they stood before the altar of Hecate,
called the goddess to witness his oath. Medea yielded, and by her
aid, for she was a potent sorceress, he was furnished with a charm,
by which he could encounter safely the breath of the fire-breathing
bulls and the weapons of the armed men.
At the time appointed, the people assembled at the grove of Mars,
and the king assumed his royal seat, while the multitude covered the
hill-sides. The brazen-footed bulls rushed in, breathing fire from
their nostrils that burned up the herbage as they passed. The sound
was like the roar of a furnace, and the smoke like that of water
upon quick-lime. Jason advanced boldly to meet them. His friends,
the chosen heroes of Greece, trembled to behold him. Regardless of
the burning breath, he soothed their rage with his voice, patted
their necks with fearless hand, and adroitly slipped over them the
yoke, and compelled them to drag the plough. The Colchians were
amazed; the Greeks shouted for joy. Jason next proceeded to sow the
dragon's teeth and plough them in. And soon the crop of armed men
sprang up, and, wonderful to relate! no sooner had they reached the
surface than they began to brandish their weapons and rush upon
Jason. The Greeks trembled for their hero, and even she who had
provided him a way of safety and taught him how to use it, Medea
herself, grew pale with fear. Jason for a time kept his assailants
at bay with his sword and shield, till, finding their numbers
overwhelming, he resorted to the charm which Medea had taught him,
seized a stone and threw it in the midst of his foes. They
immediately turned their arms against one another, and soon there
was not one of the dragon's brood left alive. The Greeks embraced
their hero, and Medea, if she dared, would have embraced him too.
It remained to lull to sleep the dragon that guarded the fleece,
and this was done by scattering over him a few drops of a
preparation which Medea had supplied. At the smell he relaxed his
rage, stood for a moment motionless, then shut those great round
eyes, that had never been known to shut before, and turned over on
his side, fast asleep. Jason seized the fleece and with his friends
and Medea accompanying, hastened to their vessel before AEetes the
king could arrest their departure, and made the best of their way
back to Thessaly, where they arrived safe, and Jason delivered the
fleece to Pelias, and dedicated the "Argo" to Neptune. What became
of the fleece afterwards we do not know, but perhaps it was found
after all, like many other golden prizes, not worth the trouble it
had cost to procure it.
This is one of those mythological tales, says a late writer, in
which there is reason to believe that a substratum of truth exists,
though overlaid by a mass of fiction. It probably was the first
important maritime expedition, and like the first attempts of the
kind of all nations, as we know from history, was probably of a
half-piratical character. If rich spoils were the result it was
enough to give rise to the idea of the golden fleece.
Another suggestion of a learned mythologist, Bryant, is that it
is a corrupt tradition of the story of Noah and the ark. The name
"Argo" seems to countenance this, and the incident of the dove is
another confirmation.
Pope, in his "Ode on St. Cecilia's Day," thus celebrates the
launching of the ship "Argo," and the power of the music of Orpheus,
whom he calls the Thracian:
"So when the first bold vessel dared the seas,
High on the stern the Thracian raised his strain,
While Argo saw her kindred trees
Descend from Pelion to the main.
Transported demigods stood round,
And men grew heroes at the sound."
In Dyer's poem of "The Fleece" there is an account of the ship
"Argo" and her crew, which gives a good picture of this primitive
maritime adventure:
"From every region of AEgea's shore
The brave assembled; those illustrious twins
Castor and Pollux; Orpheus, tuneful bard;
Zetes and Calais, as the wind in speed;
Strong Hercules and many a chief renowned.
On deep Ioclos' sandy shore they thronged,
Gleaming in armour, ardent of exploits;
And soon, the laurel cord and the huge stone
Uplifting to the deck, unmoored the bark;
Whose keel of wondrous length the skilful hand
Of Argus fashioned for the proud attempt;
And in the extended keel a lofty mast
Upraised, and sails full swelling; to the chiefs
Unwonted objects. Now first, now they learned
Their bolder steerage over ocean wave,
Led by the golden stars, as Chiron's art
Had marked the sphere celestial," etc.
Hercules left the expedition at Mysia, for Hylas, a youth beloved
by him, having gone for water, was laid hold of and kept by the
nymphs of the spring, who were fascinated by his beauty. Hercules
went in quest of the lad, and while he was absent the "Argo" put to
sea and left him. Moore, in one of his songs, makes a beautiful
allusion to this incident:
"When Hylas was sent with his urn to the fount,
Through fields of light and with heart full of play,
Light rambled the boy over meadow and mount,
And neglected his task for the flowers in the way.
"Thus many like me, who in youth should have tasted
The fountain that runs by Philosophy's shrine,
Their time with the flowers on the margin have wasted,
And left their light urns all as empty as mine."
MEDEA AND AESON
Amid the rejoicings for the recovery of the Golden Fleece, Jason
felt that one thing was wanting, the presence of AEson, his father,
who was prevented by his age and infirmities from taking part in
them. Jason said to Medea, "My spouse, would that your arts, whose
power I have seen so mighty for my aid, could do me one further
service, take some years from my life and add them to my father's."
Medea replied, "Not at such a cost shall it be done, but if my art
avails me, his life shall be lengthened without abridging yours."
The next full moon she issued forth alone, while all creatures
slept; not a breath stirred the foliage, and all was still, To the
stars she addressed her incantations, and to the moon; to Hecate,*
the goddess of the under-world, and to Tellus the goddess of the
earth, by whose power plants potent for enchantment are produced.
She invoked the gods of the woods and caverns, of mountains and
valleys, of lakes and rivers, of winds and vapours. While she spoke
the stars shone brighter, and presently a chariot descended through
the air, drawn by flying serpents. She ascended it, and borne aloft
made her way to distant regions, where potent plants grew which she
knew how to select for her purpose. Nine nights she employed in her
search, and during that time came not within the doors of her palace
nor under any roof, and shunned all intercourse with mortals.
* Hecate was a mysterious divinity sometimes identified with
Diana and sometimes with Proserpine. As Diana represents the
moonlight splendour of night, so Hecate represents its darkness and
terrors. She was the goddess of sorcery and witchcraft, and was
believed to wander by night along the earth, seen only by the dogs,
whose barking told her approach.
She next erected two altars, the one to Hecate, the other to Hebe,
the goddess of youth, and sacrificed a black sheep, pouring
libations of milk and wine. She implored Pluto and his stolen bride
that they would not hasten to take the old man's life. Then she
directed that AEson should be led forth, and having thrown him into
a deep sleep by a charm, had him laid on a bed of herbs, like one
dead. Jason and all others were kept away from the place, that no
profane eyes might look upon her mysteries. Then, with streaming
hair, she thrice moved round the altars, dipped flaming twigs in the
blood, and laid them thereon to burn. Meanwhile the cauldron with
its contents was got ready. In it she put magic herbs, with seeds
and flowers of acrid juice, stones from the distant east, and sand
from the shore of all-surrounding ocean; hoar frost, gathered by
moonlight, a screech owl's head and wings, and the entrails of a
wolf. She added fragments of the shells of tortoises, and the liver
of stags- animals tenacious of life- and the head and beak of a
crow, that outlives nine generations of men. These with many other
things "without a name" she boiled together for her purposed work,
stirring them up with a dry olive branch; and behold! the branch
when taken out instantly became green, and before long was covered
with leaves and a plentiful growth of young olives; and as the
liquor boiled and bubbled, and sometimes ran over, the grass
wherever the sprinklings fell shot forth with a verdure like that of
spring.
Seeing that all was ready, Medea cut the throat of the old man
and let out all his blood, and poured into his mouth and into his
wound the juices of her cauldron. As soon as he had completely
imbibed them, his hair and beard laid by their whiteness and assumed
the blackness of youth; his paleness and emaciation were gone; his
veins were full of blood, his limbs of vigour and robustness. AEson
is amazed at himself, and remembers that such as he now is, he was
in his youthful days, forty years before.
Medea used her arts here for a good purpose, but not so in
another instance, where she made them the instruments of revenge.
Pelias, our readers will recollect, was the usurping uncle of Jason,
and had kept him out of his kingdom. Yet he must have had some good
qualities, for his daughters loved him, and when they saw what Medea
had done for AEson, they wished her to do the same for their father.
Medea pretended to consent, and prepared her cauldron as before. At
her request an old sheep was brought and plunged into the cauldron.
Very soon a bleating was heard in the kettle, and when the cover was
removed, a lamb jumped forth and ran frisking away into the meadow.
The daughters of Pelias saw the experiment with delight, and
appointed a time for their father to undergo the same operation. But
Medea prepared her cauldron for him in a very different way. She put
in only water and a few simple herbs. In the night she with the
sisters entered the bed chamber of the old king, while he and his
guards slept soundly under the influence of a spell cast upon them
by Medea. The daughters stood by the bedside with their weapons
drawn, but hesitated to strike, till Medea chid their irresolution.
Then turning away their faces, and giving random blows they smote
him with their weapons. He, starting from his sleep, cried out, "My
daughters, what are you doing? Will you kill your father?" Their
hearts failed them and their weapons fell from their hands, but
Medea struck him a fatal blow, and prevented his saying more.
Then they placed him in the cauldron, and Medea hastened to
depart in her serpent-drawn chariot before they discovered her
treachery or their vengeance would have been terrible. She escaped,
however, but had little enjoyment of the fruits of her crime. Jason,
for whom she had done so much, wishing to marry Creusa, princess of
Corinth, put away Medea. She, enraged at his ingratitude, called on
the gods for vengeance, sent a poisoned robe as a gift to the bride,
and then killing her own children, and setting fire to the palace,
mounted her serpent-drawn chariot and fled to Athens, where she
married King AEgeus, the father of Theseus, and we shall meet her
again when we come to the adventures of that hero.
The incantations of Medea will remind the reader of those of the
witches in "Macbeth." The following lines are those which seem most
strikingly to recall the ancient model:
"Round about the cauldron go;
In the poisoned entrails throw.
Fillet of a fenny snake
In the cauldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder's fork and blind-worm's sting,
Lizard's leg and howlet's wing;
Maw of ravening salt-sea shark,
Root of hemlock digged in the dark," etc.
Macbeth, Act IV. Scene I.
And again:
Macbeth.- What is't you do?
Witches.- A deed without a name.
There is another story of Medea almost too revolting for record
even of a sorceress, a class of persons to whom both ancient and
modern poets have been accustomed to attribute every degree of
atrocity. In her flight from Colchis she had taken her young brother
Absyrtus with her. Finding the pursuing vessels of AEetes gaining
upon the Argonauts, she caused the lad to be killed and his limbs to
be strewn over the sea. AEetes on reaching the place found these
sorrowful traces of his murdered son; but while he tarried to
collect the scattered fragments and bestow upon them an honourable
interment, the Argonauts escaped.
In the poems of Campbell will be found a translation of one of
the choruses of the tragedy of "Medea," where the poet Euripides has
taken advantage of the occasion to pay a glowing tribute to Athens,
his native city. It begins thus:
"O haggard queen! to Athens dost thou guide
Thy glowing chariot, steeped in kindred gore;
Or seek to hide thy damned parricide
Where peace and justice dwell for evermore?"
CHAPTER XVIII.
MELEAGER AND ATALANTA.
ONE of the heroes of the Argonautic expedition was Meleager, son
of OEneus and Althea, king and queen of Calydon. Althea, when her
son was born, beheld the three destinies, who as they spun their
fatal thread, foretold that the life of the child should last no
longer than a brand then burning upon the hearth. Althea seized and
quenched the brand, and carefully preserved it for years, while
Meleager grew to boyhood, youth and manhood. It chanced, then, that
OEneus, as he offered sacrifices to the gods, omitted to pay due
honours to Diana; and she, indignant at the neglect, sent a wild
boar of enormous size to lay waste the fields of Calydon. Its eyes
shone with blood and fire, its bristles stood like threatening
spears, its tusks were like those of Indian elephants. The growing
corn was trampled, the vines and olive trees laid waste, the flocks
and herds were driven in wild confusion by the slaughtering foe. All
common aid seemed vain; but Meleager called on the heroes of Greece
to join in a bold hunt for the ravenous monster. Theseus and his
friend Pirithous, Jason, Peleus, afterwards the father of Achilles,
Telamon the father of Ajax, Nestor, then a youth, but who in his age
bore arms with Achilles and Ajax in the Trojan war- these and many
more joined in the enterprise. With them came Atalanta, the daughter
of Iasius, king of Arcadia. A buckle of polished gold confined her
vest, an ivory quiver hung on her left shoulder, and her left hand
bore the bow. Her face blent feminine beauty with the best graces of
martial youth. Meleager saw and loved.
But now already they were near the monster's lair. They stretched
strong nets from tree to tree; they uncoupled their dogs, they tried
to find the footprints of their quarry in the grass. From the wood
was a descent to marshy grounds. Here the boar, as he lay among the
reeds, heard the shouts of his pursuers, and rushed forth against
them. One and another is thrown down and slain. Jason throws his
spear, with a prayer to Diana for success; and the favouring goddess
allows the weapon to touch, but not to wound, removing the steel
point of the spear in its flight. Nestor, assailed, seeks and finds
safety in the branches of a tree. Telamon rushes on, but stumbling
at a projecting root, falls prone. But an arrow from Atalanta at
length for the first time tastes the monster's blood. It is a slight
wound, but Meleager sees and joyfully proclaims it. Anceus, excited
to envy by the praise given to a female, loudly Proclaims his own
valour, and defies alike the boar and the goddess who had sent it;
but as he rushes on, the infuriated beast lays him low with a mortal
wound. Theseus throws his lance, but it is turned aside by a
projecting bough. The dart of Jason misses its object, and kills
instead one of their own dogs. But Meleager, after one unsuccessful
stroke, drives his spear into the monster's side, then rushes on and
despatches him with repeated blows.
Then rose a shout from those around; they congratulated the
conqueror, crowding to touch his hand. He, placing his foot upon the
head of the slain boar, turned to Atalanta and bestowed on her the
head and the rough hide which were the trophies of his success. But
at this, envy excited the rest to strife. Plexippus and Toxeus, the
brothers of Meleager's mother, beyond the rest opposed the gift, and
snatched from the maiden the trophy she had received. Meleager,
kindling with rage at the wrong done to himself, and still more at
the insult offered to her whom he loved, forgot the claims of
kindred, and plunged his sword into the offenders' hearts.
As Althea bore gifts of thankfulness to the temples for the
victory of her son, the bodies of her murdered brothers met her
sight. She shrieks, and beats her breast, and hastens to change the
garments of rejoicing for those of mourning. But when the author of
the deed is known, grief gives way to the stern desire of vengeance
on her son. The fatal brand, which once she rescued from the flames,
the brand which the destinies had linked with Meleager's life, she
brings forth, and commands a fire to be prepared. Then four times
she essays to place the brand upon the pile; four times draws back,
shuddering at the thought of bringing destruction on her son. The
feelings of the mother and the sister contend within her. Now she is
pale at the thought of the proposed deed, now flushed again with
anger at the act of her son. As a vessel, driven in one direction by
the wind, and in the opposite by the tide, the mind of Althea hangs
suspended in uncertainty. But now the sister prevails above the
mother, and she begins as she holds the fatal wood: "Turn, ye
Furies, goddesses of punishment! turn to behold the sacrifice I
bring! Crime must atone for crime. Shall OEneus rejoice in his
victor son, while the house of Thestius is desolate? But, alas! to
what deed am I borne along? Brothers, forgive a mother's weakness!
my hand fails me. He deserves death, but not that I should destroy
him. But shall he then live, and triumph, and reign over Calydon,
while you, my brothers, wander unavenged among the shades? No! thou
hast lived by my gift; die, now, for thine own crime. Return the
life which twice I gave thee, first at thy birth, again when I
snatched this brand from the flames. O that thou hadst then died!
Alas! evil is the conquest; but, brothers, ye have conquered." And,
turning away her face, she threw the fatal wood upon the burning
pile.
It gave, or seemed to give, a deadly groan. Meleager, absent and
unknowing of the cause, felt a sudden pang. He burns, and only by
courageous pride conquers the pain which destroys him. He mourns
only that he perishes by a bloodless and unhonoured death. With his
last breath he calls upon his aged father, his brother, and his fond
sisters, upon his beloved Atalanta, and upon his mother, the unknown
cause of his fate. The flames increase, and with them the pain of
the hero. Now both subside; now both are quenched. The brand is
ashes, and the life of Meleager is breathed forth to the wandering
winds.
Althea, when the deed was done, laid violent hands upon herself.
The sisters of Meleager mourned their brother with uncontrollable
grief; till Diana, pitying the sorrows of the house that once had
aroused her anger, turned them into birds.
ATALANTA.
The innocent cause of so much sorrow was a maiden whose face you
might truly say was boyish for a girl, yet too girlish for a boy.
Her fortune had been told, and it was to this effect: "Atalanta, do
not marry; marriage will be your ruin." Terrified by this oracle,
she fled the society of men, and devoted herself to the sports of
the chase. To all suitors (for she had many) she imposed a condition
which was generally effectual in relieving her of their
persecutions- "I will be the prize of him who shall conquer me in
the race; but death must be the penalty of all who try and fail." In
spite of this hard condition some would try. Hippomenes was to be
judge of the race. "Can it be possible that any will be so rash as
to risk so much for a wife?" said he. But when he saw her lay aside
her robe for the race, he changed his mind, and said, "Pardon me,
youths, I knew not the prize you were competing for." As he surveyed
them he wished them all to be beaten, and swelled with envy of any
one that seemed at all likely to win. While such were his thoughts,
the virgin darted forward. As she ran she looked more beautiful than
ever. The breezes seemed to give wings to her feet; her hair flew
over her shoulders, and the gay fringe of her garment fluttered
behind her. A ruddy hue tinged the whiteness of her skin, such as a
crimson curtain casts on a marble wall. All her competitors were
distanced, and were put to death without mercy. Hippomenes, not
daunted by this result, fixing his eyes on the virgin, said, "Why
boast of beating those laggards? I offer myself for the contest."
Atalanta looked at him with a pitying countenance, and hardly knew
whether she would rather conquer him or not. "What god can tempt one
so young and handsome to throw himself away? I pity him, not for his
beauty (yet he is beautiful), but for his youth. I wish he would
give up the race, or if he will be so mad, I hope he may outrun me."
While she hesitates, revolving these thoughts, the spectators grow
impatient for the race, and her father prompts her to prepare. Then
Hippomenes addressed a prayer to Venus: "Help me, Venus, for you
have led me on." Venus heard and was propitious.
In the garden of her temple, in her own island of Cyprus, is a
tree with yellow leaves and yellow branches and golden fruit. Hence
she gathered three golden apples, and unseen by any one else, gave
them to Hippomenes, and told him how to use them. The signal is
given; each starts from the goal and skims over the sand. So light
their tread, you would almost have thought they might run over the
river surface or over the waving grain without sinking. The cries of
the spectators cheered Hippomenes,- "Now, now, do your best! haste,
haste! you gain on her! relax not! one more effort!" It was doubtful
whether the youth or the maiden heard these cries with the greater
pleasure. But his breath began to fail him, his throat was dry, the
goal yet far off. At that moment be threw down one of the golden
apples. The virgin was all amazement. She stopped to pick it up.
Hippomenes shot ahead. Shouts burst forth from all sides. She
redoubled her efforts, and soon overtook him. Again he threw an
apple. She stopped again, but again came up with him. The goal was
near; one chance only remained. "Now, goddess," said he, "prosper
your gift!" and threw the last apple off at one side. She looked at
it, and hesitated; Venus impelled her to turn aside for it. She did
so, and was vanquished. The youth carried off his prize.
But the lovers were so full of their own happiness that they
forgot to pay due honour to Venus; and the goddess was provoked at
their ingratitude. She caused them to give offence to Cybele. That
powerful goddess was not to be insulted with impunity. She took from
them their human form and turned them into animals of characters
resembling their own: of the huntress-heroine, triumphing in the
blood of her lovers, she made a lioness, and of her lord and master
a lion, and yoked them to her car, where they are still to be seen
in all representations, in statuary or painting, of the goddess
Cybele.
Cybele is the Latin name of the goddess called by the Greeks Rhea
and Ops. She was the wife of Cronos and mother of Zeus. In works of
art she exhibits the matronly air which distinguishes Juno and
Ceres. Sometimes she is veiled, and seated on a throne with lions at
her side, at other times riding in a chariot drawn by lions. She
wears a mural crown, that is, a crown whose rim is carved in the
form of towers and battlements. Her priests were called Corybantes.
Byron, in describing the city of Venice, which is built on a low
island in the Adriatic Sea, borrows an illustration from Cybele:
"She looks a sea-Cybele fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers."
Childe Harold, IV.
In Moore's "Rhymes on the Road," the poet, speaking of Alpine
scenery, alludes to the story of Atalanta and Hippomenes thus:
"Even here, in this region of wonders, I find
That light-footed Fancy leaves Truth far behind,
Or at least, like Hippomenes, turns her astray
By the golden illusions he flings in her way."
CHAPTER XIX.
HERCULES- HEBE AND GANYMEDE.
HERCULES.
HERCULES was the son of Jupiter and Alcmena. As Juno was always
hostile to the offspring of her husband by mortal mothers, she
declared war against Hercules from his birth. She sent two serpents
to destroy him as he lay in his cradle, but the precocious infant
strangled them with his own hands. He was, however, by the arts of
Juno rendered subject to Eurystheus and compelled to perform all his
commands. Eurystheus enjoined upon him a succession of desperate
adventures, which are called the "Twelve Labours of Hercules." The
first was the fight with the Nemean lion. The valley of Nemea was
infested by a terrible lion. Eurystheus ordered Hercules to bring
him the skin of this monster. After using in vain his club and
arrows against the lion, Hercules strangled the animal with his
hands. He returned carrying the dead lion on his shoulders; but
Eurystheus was so frightened at the sight of it and at this proof of
the prodigious strength of the hero, that he ordered him to deliver
the account of his exploits in future outside the town.
His next labour was the slaughter of the Hydra. This monster
ravaged the country of Argos, and dwelt in a swamp near the well of
Amymone. This well had been discovered by Amymone when the country
was suffering from drought, and the story was that Neptune, who
loved her, had permitted her to touch the rock with his trident, and
a spring of three outlets burst forth. Here the Hydra took up his
position, and Hercules was sent to destroy him. The Hydra had nine
heads, of which the middle one was immortal. Hercules struck off its
heads with his club, but in the place of the head knocked off, two
new ones grew forth each time. At length with the assistance of his
faithful servant Iolaus, he burned away the heads of the Hydra, and
buried the ninth or immortal one under a huge rock.
Another labour was the cleaning of the Augean stables. Augeas,
king of Elis, had a herd of three thousand oxen, whose stalls had
not been cleansed for thirty years. Hercules brought the rivers
Alpheus and Peneus through them, and cleansed them thoroughly in one
day.
His next labour was of a more delicate kind. Admeta, the daughter
of Eurystheus, longed to obtain the girdle of the queen of the
Amazons, and Eurystheus ordered Hercules to go and get it. The
Amazons were a nation of women. They were very warlike and held
several flourishing cities. It was their custom to bring up only the
female children; the boys were either sent away to the neighbouring
nations or put to death. Hercules was accompanied by a number of
volunteers, and after various adventures at last reached the country
of the Amazons. Hippolyta, the queen, received him kindly, and
consented to yield him her girdle, but Juno, taking the form of an
Amazon, went and persuaded the rest that the strangers were carrying
off their queen. They instantly armed and came in great numbers down
to the ship. Hercules, thinking that Hippolyta, had acted
treacherously, slew her, and taking her girdle made sail homewards.
Another task enjoined him was to bring to Eurystheus the oxen of
Geryon, a monster with three bodies, who dwelt in the island of
Erytheia (the red), so called because it lay at the west, under the
rays of the setting sun. This description is thought to apply to
Spain, of which Geryon was king. After traversing various countries,
Hercules reached at length the frontiers of Libya and Europe, where
he raised the two mountains of Calpe and Abyla, as monuments of his
progress, or, according to another account, rent one mountain into
two and left half on each side, forming the straits of Gibraltar,
the two mountains being called the Pillars of Hercules. The oxen
were guarded by the giant Eurytion and his two-headed dog, but
Hercules killed the giant and his dog and brought away the oxen in
safety to Eurystheus.
The most difficult labour of all was getting the golden apples of
the Hesperides, for Hercules did not know where to find them. These
were the apples which Juno had received at her wedding from the
goddess of the Earth, and which she had intrusted to the keeping of
the daughters of Hesperus, assisted by a watchful dragon. After
various adventures Hercules arrived at Mount Atlas in Africa. Atlas
was one of the Titans who had warred against the gods, and after
they were subdued, Atlas was condemned to bear on his shoulders the
weight of the heavens. He was the father of the Hesperides, and
Hercules thought might, if any one could, find the apples and bring
them to him. But how to send Atlas away from his post, or bear up
the heavens while he was gone? Hercules took the burden on his own
shoulders, and sent Atlas to seek the apples. He returned with them,
and though somewhat reluctantly, took his burden upon his shoulders
again, and let Hercules return with the apples to Eurystheus.
Milton, in his "Comus," makes the Hesperides the daughters of
Hesperus and niece of Atlas:
"...amidst the gardens fair
Of Hesperus and his daughters three,
That sing about the golden tree."
The poets, led by the analogy of the lovely appearance of the
western sky at sunset, viewed the west as a region of brightness and
glory. Hence they placed in it the Isles of the Blest, the ruddy
Isle Erytheia, on which the bright oxen of Geryon were pastured, and
the Isle of the Hesperides. The apples are supposed by some to be
the oranges of Spain, of which the Greeks had heard some obscure
accounts.
A celebrated exploit of Hercules was his victory over Antaeus.
Antaeus, the son of Terra, the Earth, was a mighty giant and
wrestler, whose strength was invincible so long as he remained in
contact with his mother Earth. He compelled all strangers who came
to his country to wrestle with him, on condition that if conquered
(as they all were) they should be put to death. Hercules encountered
him, and finding that it was of no avail to throw him, for he always
rose with renewed strength from every fall, he lifted him up from
the earth and strangled him in the air.
Cacus was a huge giant, who inhabited a cave on Mount Aventine,
and plundered the surrounding country. When Hercules was driving
home the oxen of Geryon, Cacus stole part of the cattle, while the
hero slept. That their footprints might not serve to show where they
had been driven, be dragged them backward by their tails to his
cave; so their tracks all seemed to show that they had gone in the
opposite direction. Hercules was deceived by this stratagem, and
would have failed to find his oxen, if it had not happened that in
driving the remainder of the herd past the cave where the stolen
ones were concealed, those within began to low, and were thus
discovered. Cacus was slain by Hercules.
The last exploit we shall record was bringing Cerberus from the
lower world. Hercules descended into Hades, accompanied by Mercury
and Minerva. He obtained permission from Pluto to carry Cerberus to
the upper air, provided he could do it without the use of weapons;
and in spite of the monster's struggling, he seized him, held him
fast, and carried him to Eurystheus, and afterwards brought him back
again. When he was in Hades he obtained the liberty of Theseus, his
admirer and imitator, who had been detained a prisoner there for an
unsuccessful attempt to carry off Proserpine.
Hercules in a fit of madness killed his friend Iphitus, and was
condemned for this offence to become the slave of Queen Omphale for
three years. While in this service the hero's nature seemed changed.
He lived effeminately, wearing at times the dress of a woman, and
spinning wool with the hand-maidens of Omphale, while the queen wore
his lion's skin. When this service was ended he married Dejanira and
lived in peace with her three years. On one occasion as he was
travelling with his wife, they came to a river, across which the
Centaur Nessus carried travellers for a stated fee. Hercules himself
forded the river, but gave Dejanira to Nessus to be carried across.
Nessus attempted to run away with her, but Hercules heard her cries
and shot an arrow into the heart of Nessus. The dying Centaur told
Dejanira to take a portion of his blood and keep it, as it might be
used as a charm to preserve the love of her husband.
Dejanira did so, and before long fancied she had occasion to use
it. Hercules in one of his conquests had taken prisoner a fair
maiden, named Iole, of whom he seemed more fond than Dejanira
approved. When Hercules was about to offer sacrifices to the gods in
honour of his victory, he sent to his wife for a white robe to use
on the occasion. Dejanira, thinking it a good opportunity to try her
love-spell, steeped the garment in the blood of Nessus. We are to
suppose she took care to wash out all traces of it, but the magic
power remained, and as soon as the garment became warm on the body
of Hercules the poison penetrated into all his limbs and caused him
the most intense agony. In his frenzy he seized Lichas, who had
brought him the fatal robe, and hurled him into the sea. He wrenched
off the garment, but it stuck to his flesh, and with it he tore away
whole pieces of his body. In this state he embarked on board a ship
and was conveyed home. Dejanira, on seeing what she had unwittingly
done, hung herself. Hercules, prepared to die, ascended Mount OEta,
where he built a funeral pile of trees, gave his bow and arrows to
Philoctetes, and laid himself down on the pile, his head resting on
his club, and his lion's skin spread over him. With a countenance as
serene as if he were taking his place at a festal board he commanded
Philoctetes to apply the torch. The flames spread apace and soon
invested the whole mass.
Milton thus alludes to the frenzy of Hercules:
"As when Alcides* from OEchalia crowned
With conquest, felt the envenomed robe, and tore,
Through pain, up by the roots Thessalian pines
And Lichas from the top of OEta threw
Into the Euboic Sea."
* Alcides. a name of Hercules.
The gods themselves felt troubled at seeing the champion of the
earth so brought to his end. But Jupiter with cheerful countenance
thus addressed them: "I am pleased to see your concern, my princes,
and am gratified to perceive that I am the ruler of a loyal people,
and that my son enjoys your favour. For although your interest in
him arises from his noble deeds, yet it is not the less gratifying
to me. But now I say to you, Fear not. He who conquered all else is
not to be conquered by those flames which you see blazing on Mount
OEta. Only his mother's share in him can perish; what he derived
from me is immortal. I shall take him, dead to earth, to the
heavenly shores, and I require of you all to receive him kindly. If
any of you feel grieved at his attaining this honour, yet no one can
deny that he has deserved it." The gods all gave their assent; Juno
only heard the closing words with some displeasure that she should
be so particularly pointed at, yet not enough to make her regret the
determination of her husband. So when the flames had consumed the
mother's share of Hercules, the diviner part, instead of being
injured thereby, seemed to start forth with new vigour, to assume a
more lofty port and a more awful dignity. Jupiter enveloped him in a
cloud, and took him up in a four-horse chariot to dwell among the
stars. As he took his place in heaven, Atlas felt the added weight.
Juno, now reconciled to him, gave him her daughter Hebe in
marriage.
The poet Schiller, in one of his pieces called the "Ideal and
Life," illustrates the contrast between the practical and the
imaginative in some beautiful stanzas, of which the last two may be
thus translated:
"Deep degraded to a coward's slave,
Endless contests bore Alcides brave,
Through the thorny path of suffering led;
Slew the Hydra, crushed the lion's might,
Threw himself, to bring his friend to light,
Living, in the skiff that bears the dead.
All the torments, every toil of earth
Juno's hatred on him could impose,
Well he bore them, from his fated birth
To life's grandly mournful close.
"Till the god, the earthly part forsaken,
From the man in flames asunder taken,
Drank the heavenly ether's purer breath.
Joyous in the new unwonted lightness,
Soared he upwards to celestial brightness,
Earth's dark heavy burden lost in death.
High Olympus gives harmonious greeting
To the hall where reigns his sire adored;
Youth's bright goddess, with a blush at meeting,
Gives the nectar to her lord."
S. G. B.
HEBE AND GANYMEDE.
Hebe, the daughter of Juno, and goddess of youth, was cup-bearer
to the gods. The usual story is that she resigned her office on
becoming the wife of Hercules. But there is another statement which
our countryman Crawford, the sculptor, has adopted in his group of
Hebe and Ganymede, now in the Athenaeum gallery. According to this,
Hebe was dismissed from her office in consequence of a fall which
she met with one day when in attendance on the gods. Her successor
was Ganymede, a Trojan boy, whom Jupiter, in the disguise of an
eagle, seized and carried off from the midst of his play-fellows on
Mount Ida, bore up to heaven, and installed in the vacant place.
Tennyson, in his "Palace of Art," describes among the decorations
on the walls a picture representing this legend:
"There, too, flushed Ganymede, his rosy thigh
Half buried in the eagle's down,
Sole as a flying star shot through the sky
Above the pillared town."
And in Shelley's "Prometheus" Jupiter calls to his cup-bearer
thus:
"Pour forth heaven's wine, Idaean Ganymede,
And let it fill the Daedal cups like fire."
The beautiful legend of the "Choice of Hercules" may be found in
the "Tatler," No. 97.
CHAPTER XX.
THESEUS- DAEDALUS- CASTOR AND POLLUX.
THESEUS
THESEUS was the son of AEgeus, king of Athens, and of AEthra,
daughter of the king of Troezen. He was brought up at Troezen, and
when arrived at manhood was to proceed to Athens and present himself
to his father. AEgeus on parting from AEthra, before the birth of
his son, placed his sword and shoes under a large stone and directed
her to send his son to him when he became strong enough to roll away
the stone and take them from under it. When she thought the time had
come, his mother led Theseus to the stone, and he removed it with
ease and took the sword and shoes. As the roads were infested with
robbers, his grandfather pressed him earnestly to take the shorter
and safer way to his father's country- by sea; but the youth,
feeling in himself the spirit and the soul of a hero, and eager to
signalize himself like Hercules, with whose fame all Greece then
rang, by destroying the evil-doers and monsters that oppressed the
country, determined on the more perilous and adventurous journey by
land.
His first day's journey brought him to Epidaurus, where dwelt a
man named Periphetes, a son of Vulcan. This ferocious savage always
went armed with a club of iron, and all travellers stood in terror
of his violence. When he saw Theseus approach he assailed him, but
speedily fell beneath the blows of the young hero, who took
possession of his club and bore it ever afterwards as a memorial of
his first victory.
Several similar contests with the petty tyrants and marauders of
the country followed, in all of which Theseus was victorious. One of
these evil-doers was called Procrustes, or the Stretcher. He had an
iron bedstead, on which he used to tie all travellers who fell into
his hands. If they were shorter than the bed, he stretched their
limbs to make them fit it; if they were longer than the bed, he
lopped off a portion. Theseus served him as he had served others.
Having overcome all the perils of the road, Theseus at length
reached Athens, where new dangers awaited him. Medea, the sorceress,
who had fled from Corinth after her separation from Jason, had
become the wife of AEgeus, the father of Theseus. Knowing by her
arts who he was, and fearing the loss of her influence with her
husband if Theseus should be acknowledged as his son, she filled the
mind of AEgeus with suspicions of the young stranger, and induced
him to present him a cup of poison; but at the moment when Theseus
stepped forward to take it, the sight of the sword which he wore
discovered to his father who he was, and prevented the fatal
draught. Medea, detected in her arts, fled once more from deserved
punishment, and arrived in Asia, where the country afterwards called
Media, received its name from her. Theseus was acknowledged by his
father, and declared his successor.
The Athenians were at that time in deep affliction, on account of
the tribute which they were forced to pay to Minos, king of Crete.
This tribute consisted of seven youths and seven maidens, who were
sent every year to be devoured by the Minotaur, a monster with a
bull's body and a human head. It was exceedingly strong and fierce,
and was kept in a labyrinth constructed by Daedalus, so artfully
contrived that whoever was enclosed in it could by no means find his
way out unassisted. Here the Minotaur roamed, and was fed with human
victims.
Theseus resolved to deliver his countrymen from this calamity, or
to die in the attempt. Accordingly, when the time of sending off the
tribute came, and the youths and maidens were, according to custom,
drawn by lot to be sent, he offered himself as one of the victims,
in spite of the entreaties of his father. The ship departed under
black sails, as usual, which Theseus promised his father to change
for white, in case of his returning victorious. When they arrived in
Crete, the youths and maidens were exhibited before Minos; and
Ariadne, the daughter of the king, being present, became deeply
enamoured of Theseus, by whom her love was readily returned. She
furnished him with a sword, with which to encounter the Minotaur,
and with a clue of thread by which he might find his way out of the
labyrinth. He was successful, slew the Minotaur, escaped from the
labyrinth, and taking Ariadne as the companion of his way, with his
rescued companions sailed for Athens. On their way they stopped at
the island of Naxos, where Theseus abandoned Ariadne, leaving her
asleep.* His excuse for this ungrateful treatment of his
benefactress was that Minerva appeared to him in a dream and
commanded him to do so.
* One of the finest pieces of sculpture in Italy, the recumbent
Ariadne of the Vatican, represents this incident. A copy is in the
Athenaeum gallery, Boston.
On approaching the coast of Attica, Theseus forgot the signal
appointed by his father, and neglected to raise the white sails, and
the old king, thinking his son had perished, put an end to his own
life. Theseus thus became king of Athens.
One of the most celebrated of the adventures of Theseus is his
expedition against the Amazons. He assailed them before they had
recovered from the attack of Hercules, and carried off their queen
Antiope. The Amazons in their turn invaded the country of Athens and
penetrated into the city itself; and the final battle in which
Theseus overcame them was fought in the very midst of the city. This
battle was one of the favourite subjects of the ancient sculptors,
and is commemorated in several works of art that are still extant.
The friendship between Theseus and Pirithous was of a most
intimate nature, yet it originated in the midst of arms. Pirithous
had made an irruption into the plain of Marathon, and carried off
the herds of the king of Athens. Theseus went to repel the
plunderers. The moment Pirithous beheld him, he was seized with
admiration; he stretched out his hand as a token of peace, and
cried, "Be judge thyself- what satisfaction dost thou require?" "Thy
friendship," replied the Athenian, and they swore inviolable
fidelity. Their deeds corresponded to their professions, and they
ever continued true brothers in arms. Each of them aspired to
espouse a daughter of Jupiter. Theseus fixed his choice on Helen,
then but a child, afterwards so celebrated as the cause of the
Trojan war, and with the aid of his friend he carried her off.
Pirithous aspired to the wife of the monarch of Erebus; and Theseus,
though aware of the danger, accompanied the ambitious lover in his
descent to the underworld. But Pluto seized and set them on an
enchanted rock at his palace gate, where they remained till Hercules
arrived and liberated Theseus, leaving Pirithous to his fate.
After the death of Antiope, Theseus married Phaedra, daughter of
Minos, king of Crete. Phaedra saw in Hippolytus, the son of Theseus,
a youth endowed with all the graces and virtues of his father, and
of an age corresponding to her own. She loved him, but he repulsed
her advances, and her love was changed to hate. She used her
influence over her infatuated husband to cause him to be jealous of
his son, and he imprecated the vengeance of Neptune upon him. As
Hippolytus was one day driving his chariot along the shore, a
sea-monster raised himself above the waters, and frightened the
horses so that they ran away and dashed the chariot to pieces.
Hippolytus was killed, but by Diana's assistance AEsculapius
restored him to life. Diana removed Hippolytus from the power of his
deluded father and false stepmother, and placed him in Italy under
the protection of the nymph Egeria.
Theseus at length lost the favour of his people, and retired to
the court of Lycomedes, king of Scyros, who at first received him
kindly, but afterwards treacherously slew him. In a later age the
Athenian general Cimon discovered the place where his remains were
laid, and caused them to be removed to Athens, where they were
deposited in a temple called the Theseum, erected in honour of the
hero.
The queen of the Amazons whom Theseus espoused is by some called
Hippolyta. That is the name she bears in Shakespeare's "Midsummer
Night's Dream,"- the subject of which is the festivities attending
the nuptials of Theseus and Hippolyta.
Mrs. Hemans has a poem on the ancient Greek tradition that the
"Shade of Theseus" appeared strengthening his countrymen at the
battle of Marathon.
Theseus is a semi-historical personage. It is recorded of him
that he united the several tribes by whom the territory of Attica
was then possessed into one state, of which Athens was the capital.
In commemoration of this important event, he instituted the festival
of Panathenaea, in honour of Minerva, the patron deity of Athens.
This festival differed from the other Grecian games chiefly in two
particulars. It was peculiar to the Athenians, and its chief feature
was a solemn procession in which the Peplus, or sacred robe of
Minerva, was carried to the Parthenon, and suspended be, fore the
statue of the goddess. The Peplus was covered with embroidery,
worked by select virgins of the noblest families in Athens. The
procession consisted of persons of all ages and both sexes. The old
men carried olive branches in their hands, and the young men bore
arms. The young women carried baskets on their heads, containing the
sacred utensils, cakes, and all things necessary for the sacrifices.
The procession formed the subject of the bas-reliefs which
embellished the outside of the temple of the Parthenon. A
considerable portion of these sculptures is now in the British
Museum among those known as the "Elgin marbles."
OLYMPIC AND OTHER
GAMES.
It seems not inappropriate to mention here the other celebrated
national games of the Greeks. The first and most distinguished were
the Olympic, founded, it was said, by Jupiter himself. They were
celebrated at Olympia in Elis. Vast numbers of spectators flocked to
them from every part of Greece, and from Asia, Africa and Sicily.
They were repeated every fifth year in midsummer, and continued five
days. They gave rise to the custom of reckoning time and dating
events by Olympiads. The first Olympiad is generally considered as
corresponding with the year 776 B.C. The Pythian games were
celebrated in the vicinity of Delphi, the Isthmian on the Corinthian
Isthmus, the Nemean at Nemea, a city of Argolis.
The exercises in these games were of five sorts: running,
leaping, wrestling, throwing the quoit, and hurling the javelin, or
boxing. Besides these exercises of bodily strength and agility there
were contests in music, poetry and eloquence. Thus these games
furnished poets, musicians and authors the best opportunities to
present their productions to the public, and the fame of the victors
was diffused far and wide.
DAEDALUS.
The labyrinth from which Theseus escaped by means of the clew of
Ariadne was built by Daedalus, a most skilful artificer. It was an
edifice with numberless winding passages and turnings opening into
one another, and seeming to have neither beginning nor end, like the
river Maeander, which returns on itself, and flows now onward, now
backward, in its course to the sea. Daedalus built the labyrinth for
King Minos, but afterwards lost the favour of the king, and was shut
up in a tower. He contrived to make his escape from his prison, but
could not leave the island by sea, as the king kept strict watch on
all the vessels, and permitted none to sail without being carefully
searched. "Minos may control the land and sea," said Daedalus, "but
not the regions of the air. I will try that way." So he set to work
to fabricate wings for himself and his young son Icarus. He wrought
feathers together, beginning with the smallest and adding larger, so
as to form an increasing surface. The larger ones he secured with
thread and the smaller with wax, and gave the whole a gentle
curvature like the wings of a bird. Icarus, the boy, stood and
looked on, sometimes running to gather up the feathers which the
wind had blown away, and then handling the wax and working it over
with his fingers, by his play impeding his father in his labours.
When at last the work was done, the artist, waving his wings, found
himself buoyed upward, and hung suspended, poising himself on the
beaten air. He next equipped his son in the same manner and taught
him how to fly, as a bird tempts her young ones from the lofty nest
into the air. When all was prepared for flight he said, "Icarus, my
son, I charge you to keep at a moderate height, for if you fly too
low the damp will clog your wings, and if too high the heat will
melt them. Keep near me and you will be safe." While he gave him
these instructions and fitted the wings to his shoulders, the face
of the father was wet with tears, and his hands trembled. He kissed
the boy, not knowing that it was for the last time. Then rising on
his wings, he flew off, encouraging him to follow, and looked back
from his own flight to see how his son managed his wings. As they
flew the ploughman stopped his work to gaze, aid the shepherd leaned
on his staff and watched them, astonished at the sight, and thinking
they were gods who could thus cleave the air.
They passed Samos and Delos on the left and Lebynthos on the
right, when the boy, exulting in his career, began to leave the
guidance of his companion and soar upward as if to reach heaven. The
nearness of the blazing sun softened the wax which held the feathers
together, and they came off. He fluttered with his arms, but no
feathers remained to hold the air. While his mouth uttered cries to
his father it was submerged in the blue waters of the sea which
thenceforth was called by his name. His father cried, "Icarus,
Icarus, where are you?" At last he saw the feathers floating on the
water, and bitterly lamenting his own arts, he buried the body and
called the land Icaria in memory of his child. Daedalus arrived safe
in Sicily, where he built a temple to Apollo, and hung up his wings,
an offering to the god.
Daedalus was so proud of his achievements that he could not bear
the idea of a rival. His sister had placed her son Perdix under his
charge to be taught the mechanical arts. He was an apt scholar and
gave striking evidences of ingenuity. Walking on the seashore he
picked up the spine of a fish. Imitating it, he took a piece of iron
and notched it on the edge, and thus invented the saw. He, put two
pieces of iron together, connecting them at one end with a rivet,
and sharpening the other ends, and made a pair of compasses.
Daedalus was so envious of his nephew's performances that he took an
opportunity, when they were together one day on the top of a high
tower to push him off. But Minerva, who favours ingenuity, saw him
falling, and arrested his fate by changing him into a bird called
after his name, the Partridge. This bird does not build his nest in
the trees, nor take lofty flights, but nestles in the hedges, and
mindful of his fall, avoids high places.
The death of Icarus is told in the following lines by Darwin:
"...with melting wax and loosened strings
Sunk hapless Icarus on unfaithful wings;
Headlong he rushed through the affrighted air,
With limbs distorted and dishevelled hair;
His scattered plumage danced upon the wave,
And sorrowing Nereids decked his watery grave;
O'er his pale corse their pearly sea-flowers shed,
And strewed with crimson moss his marble bed;
Struck in their coral towers the passing bell,
And wide in ocean tolled his echoing knell."
CASTOR AND POLLUX.
Castor and Pollux were the offspring of Leda and the Swan, under
which disguise Jupiter had concealed himself. Leda gave, birth to an
egg from which sprang the twins. Helen, so famous afterwards as the
cause of the Trojan war, was their sister.
When Theseus and his friend Pirithous had carried off Helen from
Sparta, the youthful heroes, Castor and Pollux, with their
followers, hastened to her rescue. Theseus was absent from Attica
and the brothers were successful in recovering their sister.
Castor was famous for taming and managing horses, and Pollux for
skill in boxing. They were united by the warmest affection and
inseparable in all their enterprises. They accompanied the
Argonautic expedition. During the voyage a storm arose, and Orpheus
prayed to the Samothracian gods, and played on his harp, whereupon
the storm ceased and stars appeared on the heads of the brothers.
From this incident, Castor and Pollux came afterwards to be
considered the patron deities of seamen and voyagers, and the
lambent flames, which in certain states of the atmosphere play round
the sails and masts of vessels, were called by their names.
After the Argonautic expedition, we find Castor and Pollux
engaged in a war with Idas and Lynceus. Castor was slain, and Pollux,
inconsolable for the loss of his brother, besought Jupiter to be
permitted to give his own life as a ransom for him. Jupiter so far
consented as to allow the two brothers to enjoy the boon of life
alternately, passing one day under the earth and the next in the
heavenly abodes. According to another form of the story, Jupiter
rewarded the attachment of the brothers by placing them among the
stars as Gemini the Twins.
They received divine honours under the name of Dioscuri (sons of
Jove). They were believed to have appeared occasionally in later
times, taking part with one side or the other, in hard-fought
fields, and were said on such occasions to be mounted on magnificent
white steeds. Thus in the early history of Rome they are said to
have assisted the Romans at the battle of Lake Regillus, and after
the victory a temple was erected in their honour on the spot where
they appeared.
Macaulay, in his "Lays of Ancient Rome," thus alludes to the
legend:
"So like they were, no mortal
Might one from other know;
White as snow their armour was,
Their steeds were white as snow.
Never on earthly anvil
Did such rare armour gleam,
And never did such gallant steeds
Drink of an earthly stream.
"Back comes the chief in triumph
Who in the hour of fight
Hath seen the great twin Brethren
In harness on his right.
Safe comes the ship to haven,
Through billows and through gales,
If once the great Twin Brethren
Sit shining on the sails."
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