THE LIMIT OF
EVIDENCE
EVIDENTIAL tests can eliminate,
perhaps, that explanation of psychic communication that is based on
theories of the subconscious mind. Tests can eliminate the telepathic
theory. They can narrow things down to a point where seemingly only the
spiritistic explanation is left. And then容ven then it is possible to
reject survival of the dead.
Rejection in such a case results from
a rigorous interpretation of the rules of testimony. Even legal inquiry
does not ignore
prima facie evidence; it
requires that such presumptive evidence be rebutted. But legal inquiry
seeks to prove only that which is of ordinary experience. Psychic proof
of the survival of the dead involves extraordinary experiences.
Therefore, whoever wishes to insist on a strict interpretation of the
rules of evidence has right to this statement:
One can admit that a Joan voices
facts extraneous
to her own knowledge, or to a Darby's
or an F. W.'s or a Mrs. K.'s, and yet reasonably demand further proof,
positive rather than negative, of the dead that live.
For instance, the evidence offered by
the plaster hand does not conclusively prove that Mrs. K.'s lost husband
is found. It can be relied upon to prove only that in some unexplained
manner Joan can tell of facts beyond her own knowledge. And I am not
convinced that the plaster hand by itself can be depended on even to that extent. It
eliminates the subconscious
explanation only when it is supported by the entire mass of the Mrs. K.
communication.
Again, the F. W. messages do not
prove conclusively that Uncle Michael survives. They simply eliminate
telepathy. Joan, it would appear, has ability not only to voice facts
outside her own knowledge, but outside that also of persons en rapport
with her.
But it may be said that, granted the
Mrs. K. and F. W. messages constitute no actual proof of survival, they
do nonetheless evidence it. Certainly this is so. The Mrs. K. and F. W.
messages evidence survival to the degree that their elimination of
contrary explanations is complete. But here there is a fresh difficulty,
namely:
The psychic evidence of survival that
touches
you personally impresses you.
Evidence that doesn't touch you personally is, so far as you are
concerned, less impressive. Let F. W. attach what weight he will to the
Uncle Michael messages; you to whom these messages are wholly impersonal
will grant them less importance.
To Joan and me the F. W. and Mrs. K.
messages seem less convincing than Fred Q.'s successful claim to
identity with Frederick Gaylord of The Seven Purposes
and Stephen's
identification of himself as Stephen L覧. Somehow these two occurrences
were personal to us in a way that neither the F. W. nor Mrs. K. messages
were; they seem our particular property. To us, indeed, the Mrs. K. and
F. W. messages are cold facts, personally important because they give
support to Fred Q. as
Frederick Gaylord and Stephen as Stephen L覧.
And Frederick Gaylord and Stephen L覧
are important to Joan and me because they in their turn give support and
authenticity to the coming of
Stephen's philosophy.
In fact, of all the evidence external
to the import of the philosophy itself, that has been offered Joan and
me, the philosophy's mere coming, the ouija-board's performance as such, seems to us the most
startling and most convincing.
If you sat down some evening to amuse
yourself with a toy, a ouija-board, and the thing, actuated apparently
by an agency outside yourself, began to spell out in orderly array a
philosophy of life and death, would not such a performance, wholly aside
from your ultimate acceptance or rejection of the philosophy, appeal to you as more
evidential than John Smith's
umbrella or, indeed, Stephen's identification? The ouija-board's bare performance lifts a coral reef such as Mrs. K.'s nearer to the surface of the waters洋uch
nearer, Joan and I think!
Yet no sooner do Joan and I make
ready to accept the tripod's performance as clinching, final evidence of
life after death, no sooner do we start to run with freedom, to quote Mrs. K., than we are caught by the ankle.
Strict interpretation of
evidence trips us up. However sure we may feel that it was not our subconscious minds that shot the tripod from letter to letter, or the
mind of some one in telepathic rapport with us, we cannot conclude
simply from that conviction that Stephen L覧 is a living dead man.
Elimination of subliminal and
telepathic explanations of the tripod's performance supports the spiritistic explanation, but does
not prove it.
Perhaps no conclusive evidence can be
found. Perhaps all that evidence can do is to pile
itself up, acquiring a cumulative
force which, though it never positively proves survival, pushes
so-called natural explanations of psychic communications farther and
farther into the background. Or perhaps the content of Stephen's
philosophy will achieve that which the mere phenomenon of its coming
failed of. If the philosophy is reasonable, as the professor has said,
in the light of men's already acquired knowledge, perhaps evidence
external to it need be corroborative only.
In any event, Stephen's philosophy
came to Joan and me unvouched for, with not a word for weeks about John
Smith's umbrella. We could listen to the unauthenticated message, or
pass it up. We chose to listen.
And so let us go back to that night
in December, 1916, when I came
home and found Joan's newly purchased toy hidden behind the trunk in the
closet.
That night, for the second time in
our lives, Joan and I placed our fingers on a ouija-board's pointer.
Whether she was the psychic or I, if, indeed, the operation of a ouija-board
required a psychic, we did not know. Direct mental communication was as
yet undreamed of. Stephen's use of the word "coloring" was not in our
vocabulary. Some weeks were to elapse before F. W. would catch our ouija-board red-handed. Mrs. K. was a mere name
and was to remain so for over two
years. The Seven Purposes was unwritten, and the communications it
contains were not to be received for yet a year or more.
Joan and I sit with our hands on the
ouija-board's tripod. It moves, as the tripod at Mrs. Jevon's
boarding-house had moved a few nights before. Together Joan and I piece
the words it spells into a
sentence, and I record that sentence. Then again we place our fingers on the
tripod, and again it moves. As
it picks its way across the alphabet, we sit and watch it. We are fascinated, bewildered, half
afraid.
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