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V. THE RITES
THE exact order of the ceremonies
is never given and probably varied in different localities, but the
general rule of the ritual at the Sabbath seems to have been that
proceedings began by the worshippers paying homage to the Devil, who sat
or stood in a convenient place. The homage consisted in renewing the vows
of fidelity and obedience, in kissing the Devil on any part of his person
that he chose to indicate, and sometimes in turning a certain number of
times widdershins. Then followed the reports of all magic worked since the
previous Sabbath, either by individuals or at the Esbats, and at the same
time the witches consulted the Master as to their cases and received
instructions from him how to proceed; after which came admissions to the
society or marriages of the members. This ended the business part of the
meeting. Immediately after all the business was transacted, the religious
service was celebrated, the ceremonial of which varied according to the
season of the year; and it was followed by the 'obscene' fertility rites.
The whole ceremony ended with feasting and dancing, and the assembly broke
up at dawn.
This was apparently the usual
course of the ritual of the Sabbath; the Esbat had less ceremonial, and
the religious service was not performed. The Devil himself often went
round and collected the congregation; and, not being in his 'grand arroy',
he appeared as a man in ordinary dress. Instead of the religious service
with the adoration of the god, the witches worked the spells and charms
with which they bewitched or unbewitched their enemies and friends, or
they exercised new methods which they learnt from their Master, or
received instructions how to practise the arts of healing and secret
poisoning, of causing and blasting fertility.
There are a few general accounts
of the usual course of the Sabbath ritual. Danaeus (1575) does not
distinguish clearly between the two classes of meetings, but at the same
time he seems to have realized that a certain order was followed:
'Satan calleth them togither into
a Diuelish Sinagoge, and that he may also vnderstand of them howe well and
diligently they haue fulfilled their office of intoxicating committed vnto
them, and whõ they haue slaine wherefore they meete togither in certen
apointed places . . . Whe{n} they meete together he appeareth visibly vnto
them in sundrie fourmes, as the head and chiefe of that congregation. . .
. Then doe they all repeate the othe which they haue geuen vnto him, in
acknowledging him to be their God, the{n} fal they to dauncing . . .
Whiche beeing all finished, then he demaundeth agayne of them what they
woulde require of him. . . . Vnto some he geueth poysons ready made, and
others he teacheth howe to make and mingle new. . . . Finally, if in any
thing they neede his presence and helpe, by couenant he promiseth to be
present with them.'[1]
Boguet (1589) is more exact, as he
obtained his knowledge at first hand:
'Les Sorciers estans assemblez en
leur Synagogue adorent premierement Satan . . . ils luy offrent des
chandelles, & le baisent aux parties honteuses de derriere. Quelquefois
encor il tient vne image noire, qu'il faut baiser aux Sorciers. . . . Les
Sorciers en second lieu dansent. . . . Les danses finies, les Sorciers
viennent à s'accoupler. . . . Les Sorciers, apres s'estre veautrez parmy
les plaisirs immondes de la chair, banquettent & se festoient. . . . Les
Sorciers rendent conte à Satan de ce qu'ils ont fait dés la derniere
assemblée. . . . Il fait renoncer de nouueau à ces miserables, Dieu,
Chresme, & Baptesme. Il leur fait rafraischir le serment solennel qu'ils
ont fait.'[2]
The English account is put
together from foreign sources to a great extent:
'They are carryed out of the
house, either by the Window, Door, or Chimney, mounted on their Imps. . .
. Thus brought to the designed place, they find a great number of others
arrived there by the same means: who, before Lucifer takes his place in
his throne as King, do make their accustomed homage, Adoring, and
Proclaiming him their Lord, and rendring him all Honour. This Solemnity
being finished, they sit to Table where no delicate meats are wanting. . .
. At the sound of many pleasant Instruments the table is taken away, and
the pleasant consort invites them to a Ball. . . . At
[1. Danaeus, ch. iv.
2. Boguet, pp. 131-9.]
the last, the lights are put out.
The Incubus's in the shape of proper men satisfy the desires of the
Witches, and the Succubus's serve for whores to the Wizards. At last
before Aurora brings back the day, each one mounts on his spirit, and so
returns to his respective dwelling place. . . . Sometimes at their solemn
assemblies, the Devil commands, that each tell what wickedness he hath
committed. . . . When the assembly is ready to break up, and the Devil to
dispatch them, he publisheth this law with a loud voice, Revenge your
selves or else you shall dye, then each one kissing the Posteriors of
the Devil returns upon their aiery Vehicles to their habitations.'[1]
In some places the witches saluted
their Chief by falling on their knees, and also by certain manual
gestures; in other places by curtsies and obeisances. In Scotland, France,
and Belgium, another rite was also in vogue, that of kissing the Devil on
any part of his person that he might direct. At Como and Brescia the
witches, 'when they paid reverence to the presiding demon, bent themselves
backwards, lifting a foot in the air forwards.'[2]
Remigius, writing of the Lorraine
witches in 1589, says:
'Es erzehlte die Beatrix Bayona
dass einer unter ihnen allen der Oberster wer, welcher in einer Zell auff
einem lichen Stuhl sässe, sehr ernsthafftig und prächtig heraus, zu
demselbigen trete je einer nach dem andern, mit Furcht und Zittern, falle
ihm zum Zeichen seiner Ehrerbietung für die Füsse, und umbfange ihn mit
aller Demuth und Reverentz.——Erstlich fallen sie nieder auff ihre Knie;
darnach legen sie die Hände ausswendig zusammen, als diejenigen pflegen zu
thun, welche obtestiren, jedoch auff dem Rücken und verkehrter Weise, sie
haben den Rücken zu ihm gewandt, bleiben so lang kniend, biss er selbsten
zu ihnen sagt, class es genugsam sey.'[3]
In Somerset (1664) the witches
always mention the salutation:
'At their first meeting the Man in
black bids them welcome, and they all make low obeysance to
him.——[Elizabeth Style, Alice Duke, Anne Bishop, Mary Penny] met about
nine of the Clock in the Night, in the Common near Trister Gate,
[1. Pleasant Treatise, pp.
5-7.
2. Lea, iii, p. 501.
3. Remigius, pt. i, pp. 89, 91.]
where they met a Man in black
Clothes with a little Band, to whom they did Courtesie and due
observance.——Mary Green [went with others to] Hussey's Knap in the Forrest
in the Night time, where met them the Fiend in the shape of a little Man
in black Clothes with a little band, to him all made obeysances. . . . On
Thursday Night before Whitsunday last [she met several others] and being
met they called out Robin. Upon which instantly appeared a little
Man in black Clothes to whom all made obeysance, and the little Man put
his hand to his Hat, saying, How do ye? speaking low but big.
Then all made low obeysances to him again.'[1]
As late as the eighteenth century
there is a similar account.
Danaeus (1575) and Cooper (1617)
are the only writers who mention the kiss in their general accounts of the
ceremonies. The former says: 'Then biddeth lie the{m} that they fall down
& worship him, after what matter and gesture of body he pleaseth, and best
liketh of. Thus some of them falle downe at his knees, some offre vnto him
black burning cãdles, other kisse him in some part of his body where he
appeareth visibly.'[3] Cooper mentions it as part of the admission
ceremony: 'Secondly, when this acknowledgement is made, in testimoniall of
this subiection, Satan offers his back-parts to be kissed of his vassall.'[4]
The ceremony is one of the
earliest of which there is any record. In 1303 a Bishop of Coventry was
accused at Rome of a number of crimes, amongst others 'quod diabolo
homagium fecerat, et eum fuerit osculatus in tergo'.[1] Guillaume Edeline
was tried in 1453; he was 'docteur en théologie, prieur de S. Germain en
Laye, et auparavant Augustin, et religieux de certaines aultres ordres.
Confessa ledit sire Guillaume, de sa bonne et franche voulenté, avoir fait
hommage audit ennemy en l'espèce et semblance d'ung mouton, en le baisant
par le fondement en signe de révérence et d'hommage.'[6] Martin Tulouff,
tried in Guernsey in 1563, went to a meeting, 'ou ly avoet chinq ou vi
chatz, d'ou il y en avoet ung qui estoit noir, qui menoit la dance, et dt
q il estoit sur ses pieds plat, et que ladite Collennette le besa p
de derriere, et luy p la crysse.
[1. Glanvil, pt. ii, pp. 137, 139,
163, 164.
2. W. G. Stewart, p. 175.
3. Danaeus, ch. ii.
4. Cooper, p. 90.
5. Rymer, i, p. 956.
6. Chartier, iii, p. 45.]
Et luy dist ladite vieillesse q
ledit chat estoit le diable.'[1] Estebène de Cambrue, in 1567, described
the ceremonies at the Sabbath: 'Ils se mettent à dancer à l'entour d'une
pierre, sur laquelle est assis vn grand homme noir, qu'elles appellent
Mõsieur, & chacun de l'assemblee luy va baiser le derriere.'[2] The
witches of Poictiers in 1574 'dansoyent à l'entour du bouc: puis vn chacun
luy baisoit le derriere'.[3] The same ceremony took place at North Berwick
in 1590: 'Now efter that the deuell had endit his admonitions, he cam down
out of the pulpit, and caused all the company to com and kiss his ers,
quhilk they said was cauld lyk yce.'[4] Jane Bosdeau confessed that at
meetings at Puy-de-Dôme in 1594 'all the Witches had Candles which they
lighted at his, and danced in a Circle Back to Back. They kiss'd his
Backside, and pray'd that he would help them.'[5] Andro Man of Aberdeen in
1597 confessed 'that all thay quha convenis with thame kissis Christsonday
and the Quene of Elphenis airss'.[1] Rolande de Vernois in 1598 'confessa
que le Diable se presenta pour lors au Sabbat en forme d'vn gros chat
noir. Que tous ceux, qui estoient au Sabbat, alloient baiser ce gros chat
noir au derriere.'[7] Cornélie van Beverwyck, aged 75, at Ghent in 1598,
was accused that 'vous n'avez pas craint de vous agenouiller devant lui,
de lui rendre hommage et de baiser son derriere en signe de soumission'.[1]
Claire Goessen in 1603 went to 'l'assemblée nocturne de Lembeke, où, après
la danse, elle a, comme tous les assistans, baisé un bouc à l'endroit de
sa queue'.[9] Jeannette d'Abadie in 1609 in the Basses-Pyrénées said,
regarding the renunciation which she made on admission, 'il luy faisoit
renouueller toutes les fois qu'elle alloit au sabbat, puis elle l'alloit
baiser au derriere.'[10] At the celebrated trial of Louis Gaufredy at Aix
in 1610, Magdalene de Demandouls gave a detailed account of the homage
rendered by the witches:
[1. From a trial in the Guernsey
Greffe.
2. De Lancre, Tableau, p.
123.
3. Bodin, p. 187.
4. Melville, p. 396; see also
Pitcairn, i, pt. ii, pp. 210-12, 239, 246.
5. F. Hutchinson, p. 43.
6. Spalding Club Misc., i,
pp. 121, 125.
7. Boguet, p. 411.
8. Cannaert, p. 46.
9. Id., p. 50.
10. De Lancre, Tableau, p.
131.]
'First the hagges and witches, who
are people of a sordid and base condition, are the first that come to
adore the Prince of the Synagogue, who is Lucifers lieftenant, and he that
now holdeth that place is Lewes Gaufridy: then they adore the Princesse of
the Synagogue who is a woman placed at his right hand. Next they goe and
worship the Diuell who is seated in a Throne like a Prince. In the second
place come the Sorcerers and Sorceresses, who are people of a middle
condition, and these performe the same kind of adoration with the former,
kneeling vpon the ground, but not prostrating themselves as doe the other;
although they kisse the hands and feet of the Diuell as the first likewise
doe. In the third place come the Magicians who are Gentlemen and people of
a higher ranke.'[1]
Isobel Gowdie of Auldearne in 1662
said, 'Somtym he vold be lyk a stirk, a bull, a deir, a rae, or a dowg,
and he vold hold wp his taill wntill we wold kiss his arce.'[2] The
explanation of this rite is given in the French authorities:
'Le Diable estoit en forme de bouc,
ayant vne queue, & au dessoubs vn visage d'homme noir, où elle fut
contrainte le baiser.——[Elle] depose, Que la premiere fois qu'elle luy fut
presentee elle le baisa à ce visage de derriere au dessoubs d'vne grande
queuë: qu'elle l'y a baisé par trois fois, & qu'il auoit aussi ce visage
faict comme le museau d'vn bouc.——Il a vne grande queuë au derriere, & vne
forme de visage au dessoubs: duquel visage il ne profere aucune parole,
ains luy sert pour le donner à baiser à ceux qui bon luy semble.——Es
festes solemnelles on baisoit le Diable au derriere, mais les notables
sorcieres le baisoient au visage.'[3] The two faces are thus distinctly
vouched for, and the use of them seems to have been to distinguish the
position of the witch in the society. The mask or disguise is clearly
indicated in the evidence of Isaac de Queyron, who with others 'le
baiserent á vne fesse qui estoit blanche & rouge, & auoit la forme d'vne
grande cuisse d'vn homme, & estoit velue'.[4]
The Devil was also kissed on other
parts of his person. Marion Grant of the Aberdeen witches (1597) confessed
that he 'causit the kis him in dyvers pairtis, and worship him on thy
kneis as thy lord'.[5] Some of the Lyons witches 'le baiserent aux parties
honteuses de derriere: les autres le
[1. Michaelis, Historie,
pp. 334-5.
2. Pitcairn, iii, p. 613.
3. De Lancre, Tableau, pp.
68, 126, 128.
4. Id. ib., p. 148.
5. Spalding Club Misc., i,
p. 171.]
baisent sur l'espaule.'[1]
Jeannette d'Abadie in the Basses-Pyrénées (1609) confessed 'que le Diable
luy faisoit baiser son visage, puis le nombril, puis le membre viril, puis
son derriere'.[2] In connexion with this last statement, it is worth
comparing Doughty's account of an Arab custom: 'There is a strange custom,
(not only of nomad women, but in the Arabic countries even among
Christians, which may seem to remain of the old idolatry among them,) of
mothers, their gossips, and even young maidens, visiting married women to
kiss with a kind of devotion the hammam of the male children.'[3]
Dances as an important part of
fertility rites are too well known to need description. The witches'
dances, taken in conjunction with the dates of the four great Sabbaths of
the year, point to the fact that they also were intended to promote
fertility. There were several forms of ritual dances, varying apparently
according to the form of fertility required, whether of crops, animals, or
human beings. The jumping dance seems to have had for its object the
growth of the crops; the higher the performers jumped the higher the crops
would grow. The so-called 'obscene' or 'indecent' dance was for the
promotion of fertility among animals and women. When the dancers were
disguised as animals, the dance was for the increase of the animals
represented; when undisguised, for the fertility of human beings.
Although the dances took place at
English witch meetings, they are merely mentioned and not described. The
Scotch trials give rather fuller accounts, but the chief details are from
France.
The two principal forms of the
dance were the ring-dance and the follow-my-leader dance, but there was
also a very complicated form which was not understood by the Inquisitors,
who therefore dismiss it with the words 'tout est en confusion'. It still
survives, however, in the Basses-Pyrénées, in some of the very villages
which were inhabited by witches in the
[1. Boguet, p. 131.
2. De Lancre, Tableau, pp.
721 131
3. Doughty, Travels in Arabia
Deserta, i, 89.]
sixteenth century——those witches
whose proceedings de Lancre describes so vividly.[1]
The ring dances were usually round
some object; sometimes a stone, sometimes the Devil stood or was enthroned
in the middle. Thomas Leyis, with a great number of other witches, 'came
to the Market and Fish Cross of Aberdeen, under the conduct and guiding of
the Devil present with you, all in company, playing before you on his kind
of instruments: Ye all danced about both the said crosses, and the meal
market, a long space of time; in the which Devil's dance, thou the said
Thomas was foremost and led the ring, and dang the said Kathren Mitchell,
because she spoiled your dance, and ran not so fast about as the rest.
Testified by the said Kathrein Mitchell, who was present with thee at the
time forsaid dancing with the Devil.'[2] Margaret Og was indicted for
going to Craigleauch 'on Hallow even last, and there, accompanied by thy
own two daughters, and certain others, your devilish adherents and
companions, ye danced all together, about a great stone, under the conduct
of Satan, your master, a long space'.[3] Jonet Lucas was accused of 'danceing
in ane ring' on the same occasion.[4] Beatrice Robbie was 'indited as a
notorious witch, in coming, under the conduct of the Devil thy master,
with certain others, thy devilish adherents, to Craigleauche, and there
dancing altogether about a great stone, a long space, and the Devil your
master playing before you'.[5] In the Basses-Pyrénées, 'Ils se mettent à
dancer à l'entour d'une pierre, qui est plantée audit lieu, sur laquelle
est assis un grand homme noir.'[6] Jane Bosdeau, who 'confessed freely and
without Torture and continued constant in it in the midst of the Flames in
which she was burnt', said that she had been to a witch-meeting, 'and
danced in a circle back to back'.[7]
'Les Sorciers dansent, & font
leurs danses en rond, doz contre doz. Les boiteux y vont plus dispostement
que les
[1. Moret, Mystères, Égytiens,
pp. 247 seq.
2. Spalding Club Misc., i,
pp. 97-8. Spelling modernized.
3. lb., i, p. 144. Spelling
modernized.
4. Ib., p. 149.
5. lb., p. 153. Spelling
modernized.
6. De Lancre, Tableau, p.
123.
7. F. Hutchinson, Historical
Essay, p. 43.]
autres [et] incitoient les autres
à sauter & danser.[1] . . . Quelquefois, mais rarement, ils dansent deux à
deux, & par fois l'vn çà & l'autre là, & tousiours en confusion: estans
telles danses semblables à celles des Fées, vrais Diables incorporez, qui
regnoient il n'y a pas lõg temps.'[2] 'On y dance tousiours le dos tourné
au centre de la dance, qui faict que les filles sont si accoutumées à
porter les mains en arriere en cette dãce ronde, qu'elles y trainent tout
le corps, & luy donnent vn ply courbé en arriere, ayant les bras à demy
tournez: si bien que la plupart ont le ventre communement grand, enfIé &
avancé, & vn peu penchant sur le deuant. On y dance fort peu souuent vn à
vn, c'est à dire vn homme seul auec vne femme ou fille. . . . On n'y
dançoit que trois sortes de bransles, communement se tournant les espaules
l'vn à l'autre, & le dos d'vn chascun visant dans le rond de la dance, &
le visage en dehors. La premiere c'est à la Bohemienne . . . La seconde
c'est à sauts; ces deux sont en rond.'[3] 'Ils apperceurent à l'entrée [d'vn
bois], vn rond, ou cerne, dans lequel il y auoit plusieurs vestiges de
pieds d'hom{m}es, d'e{n}fans, & d'Ours, ou bien d'autres bestes semblables,[4]
lesquels estoient seulement enfoncez d'vn demy doigt dans la neige, quoy
que pour eux ils y entrassent iusques à la ceinture.'[5]
The Swedish witches danced in the
same manner. I We used to go to a gravel pit which lay hard by a
cross-way, and there we put on a garment over our heads, and then danced
round.''[6] The round dance was so essentially a witch dance that More
says, 'It might be here very seasonable to enquire into the nature of
those large dark Rings in the grass, which they call Fairy
Circles, whether they be the Rendezvouz of Witches, or the
dancing places of those little Puppet Spirits which they call Elves
or Fairies .'[7]
It will be seen from the above
quotations that there were many varieties in the ring dance; this was the
case also in the follow-my-leader dance. There seems to have been also a
combination of the two dances; or perhaps it would be more correct to say
that sometimes the ring and follow-my-leader figures were used together so
as to form one complete dance,
[1. Compare the account of the
Forfar witch-dance. Kinloch, p. 120.
2. Boguet, pp. 131-2.
3. De Lancre, Tableau, p.
210.
4. Compare the dittay against
Bessie Thom, who danced round the Fish Cross of Aberdeen with other
witches 'in the lyknes of kattis and haris'. Spalding Club Misc., i,
167.
5. Boguet, p. 127.
6. Horneck, pt. ii, p. 316.
7. More, p. 232.]
as in the modern Lancers. In both
forms of the dance one of the chief members of the society was the
'ring-leader', or leader of the dance. In the follow-my-leader dance this
was often the Devil, but in the ring dances this place was usually taken
by the second in command. When, however, the Devil was the leader, the
second-in-command was in the rear to keep up those who could not move so
quickly as the others. As pace was apparently of importance, and as it
seems to have been a punishable offence to lag behind in the dance, this
is possibly the origin of the expression 'The Devil take the hindmost'.
At North Berwick Barbara Napier
met her comrades at the church, 'where she danced endlong the Kirk yard,
and Gelie Duncan played on a trump, John Fian, missellit, led the ring;
Agnes Sampson and her daughters and all the rest following the said
Barbara, to the number of seven score of persons." Isobel Gowdie was
unfortunately not encouraged to describe the dances in which she had taken
part, so that our information, instead of being full and precise, is very
meagre. 'Jean Martein is Maiden to the Coven that I am of; and her
nickname is "Over the dyke with it", because the Devil always takes the
Maiden in his hand next him, when we dance Gillatrypes; and when he would
loup from [words broken here] he and she will say, "Over the dyke with
it."'[2] Another Scotch example is Mr. Gideon Penman, who had been
minister at Crighton. He usually 'was in the rear in all their dances, and
beat up all those that were slow'."[3] Barton's wife 'one night going to a
dancing upon Pentland Hills, he [the Devil] went before us in the likeness
of a rough tanny Dog, playing on a pair of Pipes'.[4] De Lancre concludes
his description of the dances (see above, p. 13 1) by an account of an '
endlong' dance. 'La troisieme est aussi le dos tourné, mais se tenant tous
en long, & sans se deprendre des mains, ils s'approchent de si près qu'ils
se touchent, & se rencontrent dos à dos, vn homme auec vne femme; & à
certaine cadance ils se choquent & frapent impudemment cul contre cul.'[5]
It was perhaps this
[1. Pitcairn, i, pt. ii, pp.
245-6. Spelling modernized.
2. Id., iii, p. 606. Spelling
modernized.
3. Fountainhall, i, p. 14.
4. Sinclair, p. 163.
5. De Lancre, Tableau, p.
210.]
dance which the Devil led: 'Le
Diable voit parfois dancer simplement comme spectateur; parfois il mene la
dance, changeant souuent de main & se mettant à la main de celles qui luy
plaisent le plus.'[1] In Northumberland in 1673 'their particular divell
tooke them that did most evill, and danced with them first.——The devill,
in the forme of a little black man and black cloaths, called of one
Isabell Thompson, of Slealy, widdow, by name, and required of her what
service she had done him. She replyd she had gott power of the body of one
Margarett Teasdale. And after he had danced with her he dismissed her, and
call'd of one Thomasine, wife of Edward Watson, of Slealy." Danaeus also
notes that the Devil was the leader: 'The{n} fal they to dauncing, wherin
he leadeth the daunce, or els they hoppe and daunce merely about him.'[3]
This is perhaps what de Lancre means when he says that 'apres la dance ils
se mettent par fois à sauter'.[4] A curious variation of the
follow-my-leader dance was practised at Aberdeen on Rood Day, a date which
as I have shown elsewhere corresponds with the Walpurgis-Nacht of the
German witches. The meeting took place upon St. Katherine's Hill, 'and
there under the conduct of Satan, present with you, playing before you,
after his form, ye all danced a devilish dance, riding on trees, by a long
space.'[5]
Other variations are also given.
'The dance is strange, and wonderful, as well as diabolical, for turning
themselves back to back, they take one another by the arms and raise each
other from the ground, then shake their heads to and fro like Anticks, and
turn themselves as if they were mad.'[6] Reginald Scot, quoting Bodin,
says: 'At these magicall assemblies, the witches neuer faile to danse; and
in their danse they sing these words, Har bar, divell divell, danse here
danse here, plaie here plaie here, Sabbath sabbath. And whiles they sing
and
[1. De Lancre, Tableau, p.
212.
2. Surtees Soc., xl, pp.
195, 197.
3. Danaeus, ch. iv.
4. De Lancre, op. cit., p. 211.
5. Spalding Club Misc., i,
pp. 165, 167. Spelling modernized. The account of the Arab witches should
be compared with this. 'In the time of Ibn Munkidh the witches rode about
naked on a stick between the graves of the cemetery of Shaizar.'
Wellhausen, p. 159.
6. Pleasant Treatise of Witches,
p. 6.]
danse, euerie one hath a broome in
hir hand, and holdeth it vp aloft. Item he saith, that these night-walking
or rather night-dansing witches, brought out of Italie into
France, that danse which is called La Volta.'[1] There is also
a description of one of the dances of the Italian witches: 'At Como and
Brescia a number of children from eight to twelve years of age, who had
frequented the Sabbat, and had been re-converted by the inquisitors, gave
exhibitions in which their skill showed that they had not been taught by
human art. The woman was held behind her partner and they danced backward,
and when they paid reverence to the presiding demon they bent themselves
backwards, lifting a foot in the air forwards.'[2]
In Lorraine the round dance always
moved to the left. As the dancers faced outwards, this would mean that
they moved 'widdershins', i.e. against the sun. 'Ferner, class sie ihre
Täntze in einem ronden Kreiss rings umbher führen, und die Rücke zusammen
gekehret haben, wie eine unter den dreyen Gratiis pfleget fürgerissen zu
werden, und also zusammen tanzen. Sybilla Morelia sagt, dass der Reyhen
allezeit auff der lincken Hand umbher gehe.'[3]
One form of the witches' dance
seems to survive among the children in the Walloon districts of Belgium.
It appears to be a mixture of the ordinary round dance and the third of de
Lancre's dances; for it has no central personage, and the striking of back
against back is a marked feature. 'Les enfants font une ronde et répètent
un couplet. Chaque fois, un joueur désigné fait demi-tour sur place et se
remet à tourner avec les autres en faisant face à l'extérieur du cercle.
Quand tous les joueurs sont retournés, ils se rapprochent et se heurtent
le dos en cadence.'[4]
The music at the assemblies was of
all kinds, both instrumental and vocal. The English trials hardly mention
music, possibly because the Sabbath had fallen into a decadent condition;
but the Scotch and French trials prove that it was an integral part of the
celebration. The Devil himself was the
[1. Reg. Scot, Bk. iii, p. 42. La
volta is said to be the origin of the waltz.
2. Lea, iii, p. 501.
3. Remigius, p. 82.
4. E. Monseur, p. 102.]
usual performer, but other members
of the society could also supply the music, and occasionally one person
held the position of piper to the Devil. The music was always as an
accompaniment of the dance; the instrument in general use was a pipe,
varied in England by a cittern, in Scotland by I the trump' or Jew's harp,
also an instrument played with the mouth.
The Somerset witches said that
'the Man in black sometimes playes on a Pipe or Cittern, and the company
dance'.'
The North Berwick witches (1590),
when at the special meeting called to compass the death of the king,
'danced along the Kirk-yeard, Geilis Duncan playing on a Trump.'[3] The
instrument of the Aberdeen Devil (1597), though not specified, was
probably a pipe; it is usually called 'his forme of instrument' in the
dittays. Isobel Cockie of Aberdeen was accused of being at a Sabbath on
All-hallow Eve: 'Thou wast the ringleader, next Thomas Leyis; and because
the Devil played not so melodiously and well as thou crewit, thou took his
instrument out of his mouth, then took him on the chaps therewith, and
played thyself thereon to the whole company.'[3] At another meeting, Jonet
Lucas was present: 'Thou and they was under the conduct of thy master, the
Devil, dancing in ane ring, and he playing melodiously upon ane
instrument, albeit invisibly to you.'[4] At Tranent (1659) eight women and
a man named John Douglas confessed to 'having merry meetings with Satan,
enlivened with music and dancing. Douglas was the pyper, and the two
favourite airs of his majesty were "Kilt thy coat, Maggie, and come thy
way with me", and "Hulie the bed will fa'."'[5] Agnes Spark at Forfar
(1661) 'did see about a dozen of people dancing, and they had sweet music
amongst them, and, as she thought, it was the music of a pipe'.[6]
Barton's wife was at a meeting in the Pentland Hills, where the Devil
'went before us in the likeness of a rough tanny Dog, playing on a pair of
Pipes. The
[1. Glanvil, pt. ii, p. 141.
2. Pitcairn, i, pt. ii, pp. 239,
246.
3. Spalding Club Misc., i,
pp. 114-15. Spelling modernized.
4. Id., i, p. 149. Spelling
modernized.
5. Spottiswoode Miscellany,
ii, p. 68.
6. Kinloch, p. 129. Spelling
modernized.]
Spring he played (says she) was,
'The silly bit Chiken, gar cast it a pickle and it will grow meikle.'[1]
At Crook of Devon (1662) the two old witches, Margaret Huggon and Janet
Paton, confessed to being at a meeting, and 'the foresaids hail women was
there likeways and did all dance and ane piper play'.[2]
In France the instruments were
more varied. Marie d'Aspilcouette, aged nineteen, 'voyoit dancer auec
violons, trompettes, ou tabourins, qui rendoyent vne tres grande harmonie'.[3]
Isaac de Queyran, aged twenty-five, said that a minor devil (diabloton)
played on a tambourine, while the witches danced.[4] But as usual de
Lancre is at his best when making a general summary:
'Elles dancent au son du petit
tabourin & de la fluste, & par fois auec ce long instrument qu'ils posent
sur le col, puis s'allongeant iusqu'auprés de la ceinture; ils le battent
auec vn petit baston: par fois auec vn violon. Mais ce ne sont les seuls
instrumès du sabbat, car nous auõs apprins de plusieurs, qu'on y oyt toute
sorte d'instrumens, auec vne telle harmonie, qu'il n'y a concert au monde
qui le puisse esgaler.'[5]
Vocal music was also heard at the
meetings, sometimes as an accompaniment of the dance, sometimes as an
entertainment in itself. When it was sung as a part of the dance, the
words were usually addressed to the Master, and took the form of a hymn of
praise. Such a hymn addressed to the god of fertility would be full of
allusions and words to shock the sensibilities of the Christian priests
and ministers who sat in judgement on the witches. Danaeus gives a general
account of these scenes: 'Then fal they to dauncing, wherin he leadeth the
daunce, or els they hoppe and daunce merely about him, singing most filthy
songes made in his prayse.'[6] Sinclair had his account from a clergyman:
'a reverend Minister told me, that one who was the Devils Piper, a wizzard
confest to him, that at a Ball of dancing, the Foul Spirit taught him a
Baudy song to sing and play, as it were this night, and ere two days past
all the Lads and Lasses of the town were lilting it throw
[1. Sinclair, p. 163.
2. Burns Begg, pp. 234, 235.
3. De Lancre, Tableau, p.
127.
4. Id. ib., p. 150.
5. Id. ib., p. 211.
6. Danaeus, ch. iv.]
the street. It were abomination to
rehearse it.'[1] At Forfar Helen Guthrie told the court that Andrew Watson
'made great merriment by singing his old ballads, and Isobell Shirrie did
sing her song called 'Tinkletum Tankletum'.[2] Occasionally the Devil
himself was the performer, as at Innerkip, where according to Marie Lamont
'he sung to us and we all dancit'.[3] Boguet notes that the music was
sometimes vocal and sometimes instrumental: 'Les haubois ne manquent pas à
ces esbats: car il y en a qui sont commis à faire le devoir de menestrier;
Satan y iouë mesme de la flutte le plus souuent; & à d'autrefois les
Sorciers se contentent de chanter à la voix, disant toutefois leurs
chansons pesle-mesle, & auec vne confusion telle, qu'ils ne s'entendent
pas les vns les autres.'[4] At Aix in 1610 'the Magicians and those that
can reade, sing certaine Psalmes as they doe in the Church, especially
Laudate Dominum de Coelis: Confitemini domino quoniam bonus, and the
Canticle Benedicte, transferring all to the praise of Lucifer and
the Diuels: And the Hagges and Sorcerers doe houle and vary their hellish
cries high and low counterfeiting a kinde of villanous musicke. They also
daunce at the sound of Viols and other instruments, which are brought
thither by those that were skild to play vpon them.[5] At another French
trial in 1652 the evidence showed that 'on dansait sans musique, aux
chansons'.[6]
The feast, like the rest of the
ritual, varied in detail in different places. It took place either indoors
or out according to the climate and the season; in Southern France almost
invariably in the open air, in Scotland and Sweden almost always under
cover; in England sometimes one, sometimes the other. Where it was usual
to have it in the open, tables were carried out and the food laid upon
them; indoor feasts were always spread on tables; but in the English
accounts of the open-air meal the cloth was spread, picnic-fashion, on the
ground. The food was supplied in different ways; sometimes
[1. Sinclair, p. 219.
2. Kinloch, p. 120.
3. Sharpe, p. 131.
4. Boguet, p. 132.
5. Michaelis, Hist., p.
336.
6. Van Elven, v (1891), p. 215.]
entirely by the devil, sometimes
entirely by one member of the community, and sometimes-picnic-fashion
again-all the company brought their own provisions. Consequently the
quality of the food varied considerably; on some occasions it was very
good, on others very homely. But no matter who provided it, the thanks of
the feasters were solemnly and reverently given to the Master, to whose
power the production of all food was due.
In a certain number of cases it is
said that the food eaten at the feasts was of an unsatisfying nature. This
statement is usually made in the general descriptions given by
contemporary writers; it is rarely found in the personal confessions. When
it does so occur, it is worth noting that the witch is generally a young
girl. If this were always the case, it would be quite possible that then,
as now, dancing and excitement had a great effect on the appetite, and
that the ordinary amount of food would appear insufficient.
The taboo on salt is interesting,
but it does not appear to have been by any means universal. It does not
seem to occur at all in Great Britain, where the food at the feasts was
quite normal.
Some authorities appear to think
that the witches ate the best of everything. 'They sit to Table where no
delicate meats are wanting to gratifie their Appetites, all dainties being
brought in the twinckling of an Eye, by those spirits that attend the
Assembly'.[1] Though this is dramatically expressed it is confirmed by the
statements of the witches themselves. The Lancashire witches had a great
feast when they met in Malking Tower to consult as to the rescue of Mother
Demdike.
' The persons aforesaid had to
their dinners Beefe, Bacon, and roasted Mutton; which Mutton (as this
Examinates said brother said) was of a Wether of Christopher Swyers of
Barley: which Wether was brought in the night before into this Examinates
mothers house by the said lames Deuice, this Examinates said brother: and
in this Examinates sight killed and eaten. . . . And before their said
parting away, they all appointed to meete at the said Prestons wiues house
that day twelue-moneths; at which time the said Prestons wife promised to
make them a great Feast.'[2]
[1. Pleasant Treatise of Witches,
p. 5.
2. Potts, G 3, 13, P 3.]
The feast of the Faversham witches
was also indoors. 'Joan Cariden confessed that Goodwife Hott told her
within these two daies that there was a great meeting at Goodwife Panterys
house, and that Goodwife Dodson was there, and that Goodwife Gardner
should have been there, but did not come, and the Divell sat at the upper
end of the Table.'[1] This was always the Devil's place at the feast, and
beside him sat the chief of the women witches. The Somerset trials give
more detail than any of the other English cases. Elizabeth Style said that
'at their meeting they have usually Wine or good Beer, Cakes, Meat or the
like. They eat and drink really when they meet in their bodies, dance also
and have Musick. The Man in black sits at the higher end, and Anne
Bishop usually next him. He useth some words before meat, and none
after, his voice is audible, but very low.'[2] She enters into a little
more detail in another place: 'They had Wine, Cakes, and Roastmeat (all
brought by the Man in black) which they did eat and drink. They danced and
were merry, and were bodily there, and in their Clothes.'[3] Alice Duke
gave a similar account: 'All sate down, a white Cloth being spread on the
ground, and did drink Wine, and eat Cakes and Meat.'[4] The Scotch trials
show that it was usually the witches who entertained the Master and the
rest of the band. Alison Peirson, whose adventures among the fairies are
very interesting, stated that a man in green 'apperit to hir, ane lustie
mane, with mony mene and wemen with him: And that scho sanit her and
prayit, and past with thame fordir nor scho could tell; and saw with thame
pypeing and mirrynes and gude scheir, and wes careit to Lowtheane, and saw
wyne punchounis with tassis with thame'.[5] On another occasion a very
considerable meeting took place 'in an old house near Castle Semple, where
a splendid feast was prepared, which pleased the royal visitor so much,
that he complimented his entertainers for their hospitality, and
endearingly addressed them as "his bairns"'.[6] The Forfar witches had
many feasts; Helen Guthrie says of one occasion:
[1. Examination of Joan
Williford, p. 6.
2. Glanvil, pt. ii, pp. 139-40.
3. Id., p. 138.
4. Id., p. 149.
5. Pitcairn, i, pt. ii, p. 163.
6. Spottiswoode Misc., ii,
p. 67.]
They went to Mary Rynd's house and
sat doune together at the table, the divell being present at the head of
it; and some of them went to Johne Benny's house, he being a brewer, and
brought ale from hence . . . and others of them went to Alexander Hieche's
and brought aqua vitae from thence, and thus made themselfes mirrie; and
the divill made much of them all, but especiallie of Mary Rynd, and he
kist them all except the said Helen herselfe, whose hand onlie he kist;
and shee and Jonet Stout satt opposite one to another at the table.'[1]
Of the meeting at Muryknowes there
are several accounts. The first is by little Jonet Howat, Helen Guthrie's
young daughter: 'At this meiting there wer about twenty persones present
with the divill, and they daunced togither and eat togither, having bieff,
bread, and ale, and shoe did eat and drink with them hir self, bot hir
bellie was not filled, and shoe filled the drink to the rest of the
company.'[2] Elspet Alexander confirms this statement, 'The divill. and
the witches did drinke together having flesh, bread, and aile';[3] and so
also does the Jonet Stout who sat opposite to Helen Guthrie at the table,
'The divill and the said witches did eat and drinke, having flesh, bread,
and aile upon ane table, and Joanet Huit was caper and filled the drinke'.[1]
On one occasion they tried to wreck the Bridge of Cortaquhie; 'when we had
done, Elspet [Bruce] gaive the divell ane goose in hir own house, and he
dated hir mor than them all, because shee was ane prettie wornan.'[5] The
Kinross-shire witches obtained their food from the Devil, and this is one
of the few instances of complaints is to the quality of it. 'Sathan gave
you [Robert Wilson] both meat and drink sundry times, but it never did you
any good';[6] and Janet Brugh 'confessed that ye got rough bread and sour
drink from Sathan at the Bents of Balruddrie'.[7] According to Marie
Lamont, 'the devill. came to Kattrein Scott's house, in the midst of the
night. He gave them wyn to drink, and wheat bread to eat, and they warr
all very mirrie.'[8] Isobel Gowdie's confession gives a wealth of detail
as usual:
'We would go to several houses in
the night time. We
[1. Kinloch, p. 121.
2. Id., p. 124.
3. Id., p. 126.
4. Id., p. 127.
5. Id., p. 133. Dated = caressed.
6. Burns Begg, p. 227.
7. Id., p. 238.
8 Sharpe, p. 131.]
were at Candlemas last in
Grangehill, where we got meat and drink enough. The Devil sat at the head
of the table, and all the Coven about. That night he desired Alexander
Elder in Earlseat to say the grace before meat, which he did; and is
this:[1] "We eat this meat in the Devil's name " [etc.]. And then we began
to eat. And when we had ended eating, we looked steadfastly to the Devil,
and bowing ourselves to him, we said to the Devil, We thank thee, our
Lord, for this.——We killed an ox, in Burgie, about the dawing of the day,
and we brought the ox with us home to Aulderne, and did eat all amongst us
in an house in Aulderne, and feasted on it.'[2]
At Borrowstowness the witches went
to different houses for their feasts, which seem to have been supplied
partly by the hostess, partly by the Devil and the guests.
'Ye and each person of you was at
several meetings with the devil in the links of Borrowstowness, and in the
house of you Bessie Vickar, and ye did eat and drink with the devil, and
with one another, and with witches in her house in the night time; and the
devil and the said William Craw brought the ale which ye drank, extending
to about seven gallons, from the house of Elizabeth Hamilton.'[3]
In 1692 Goodwife Foster of Salem
gave a rather charming description of the picnic feast with the Coven from
Andover:
'I enquired what she did for
Victuals' [at the meeting]; 'She answered that she carried Bread and
Cheese in her pocket, and that she and the Andover Company came to the
Village before the Meeting began, and sat down together under a tree, and
eat their food, and that she drank water out of a Brook to quench her
thirst.'[4]
The Continental evidence varies
very little from the British. Except in a few details, the main facts are
practically the same. De Lancre summarizes the evidence which he himself
collected, and contrasts it with what other authorities said on the
subject:
'Les liures disent que les
sorciers mangent au Sabbat de ce que le Diable leur a appresté: mais bien
souue{n}t il ne s'y
[1. The complete grace is given on
p. 167. It will be seen that it is a corrupt version of some ancient form
of words.
2. Pitcairn, iii, pp. 612, 613.
Spelling modernized.
3. Scots Magazine, 1814, p.
200. Spelling modernized.
4. Burr, p. 418.]
trouue que des viandes qu'ils ont
porté eux mesmes. Parfois il y a plusieurs tables seruies de bons viures,
& d'autres fois de tres meschans: & à table on se sied selon sa qualité,
ayant chacun son Demon assis auprés, & parfois vis à vis. Ils benissent
leur table inuoquant Beelzebub, & le tenant pour celui qui leur faict ce
bien.'[1]
The young man-witch, Isaac de
Queyran, told de Lancre that the witches sat at a table with the Black Man
at the end, and had bread and meat which was spread on a cloth.[2] The
evidence at the trial of Louis Gaufredy at Aix in 1610 gives other
details, though the eating of children's flesh is probably an
exaggeration:
'They prouide a banquet, setting
three tables according to the three diuersities of the people above named.
They that haue the charge of bread, doe bring in bread made of corne. The
drink which they haue is Malmsey. The meate they ordinarily eate is the
flesh of young children, which they cooke and make ready in the Synagogue,
sometimes bringing them thither aliue by stealing them from those houses
where they haue opportunity to come. They haue no vse of kniues at table
for feare least they should be laid a crosse. They haue also no salt.'[3]
Boguet also collected a
considerable amount of information from the witches who fell into his
hands:
'Les Sorciers, apres s'estre
veautrez parmi les plaisirs immondes de la chair, banquettent & se
festoient: leurs banquets estans composez de plusieurs sortes de viandes,
selon les lieux, & qualitez des personnes. Par deçà la table estoit
couuerte de beurre, de fromage, & de chair. Clauda Ianguillaume, Iaquema
Paget, & quelques autres adioustoient qu'iI y auoit vne grande chaudiere
sur le feu, dans laquelle chacun alloit prendre de la chair. On y boit
aussi du vin, & le plus souuent de 1'eau. . . . Antoine Tornier a confessé
qu'elle en auoit beu [le vin] dans vn goubelet de bois; les autrés
parloient seulement d'eau. Mais il n'y a iamais sel en ces repas . . . Les
Sorciers auant que de prendre leur repas benissent la table, mais auec des
parolles remplies de blasphemes, faisans Beelzebub autheur & conseruateur
de toutes choses . . . Ils accordent tous, qu'il n'y a point de gout aux
viandes qu'ils mangent au Sabbat, & que la chair n'est autre chair que de
cheual. Et adioustent en outre, que lors qu'ils sortent de
[1. De Lancre, Tableau, p.
197.
2. Id. ib., p. 148.
3. Michaelis, Historie, pp.
335-6.]
table, ils sont aussi affamez que
quand ils entrent. Antide Colas racontoit particulierement que les viandes
estoient froides. . . . Toutesfois il faut croire que bien souuent l'on
mange au Sabbat à bon escient, & non par fantaisie & imagination.'[1]
The cold food occurs also in the
accusation against a Belgian witch, Elizabeth Vlamynx, in 1595: 'Vous-même
vous avez apporté aux convives un hochepot [hutsepot] froid, que vous
aviez préparé d'avance.'[2]
In Sweden the witches collected
the food and sent it to the Devil, who gave them as much of it as he
thought fit. The feast was always held indoors in the house known as
Blockula.
'In a huge large Room of this
House, they said, there stood a very long Table, at which the Witches did
sit down. . . . They sate down to Table, and those that the Devil esteemed
most, were placed nearest to him, but the Children must stand at the door,
where he himself gives them meat and drink. The diet they did use to have
there, was, they said, Broth with Colworts and Bacon in it, Oatmeal, Bread
spread with Butter, Milk and Cheese. And they added that sometimes it
tasted very well, and sometimes very ill.'[3]
At first sight it would seem that
the candles were naturally used only to illuminate the midnight
festivities, but the evidence points to the burning lights being part of
the ritual. This is also suggested by the importance, in the cult, of the
early-spring festival of Candlemas; a festival which has long been
recognized as of pre-Christian origin.
The light is particularly
mentioned in many instances as being carried by the Devil, usually on his
head; the witches often lit their torches and candles at this flame,
though sometimes it seems that the Devil lit the torch and then presented
it to the witch. To call the chief of the cult Lucifer was therefore
peculiarly appropriate, especially at the Candlemas Sabbath.
In 1574 the witches of Poictiers
went to a cross-roads: 'là se trouuoit vn grand bouc noir, qui parloit
comme vne personne
[1. Boguet, pp. 135-9.
2. Cannaert, p. 45
3. Horneck, pp. 321-2, 327.]
aux assistans, & dansoyent a
l'entour du bouc: puis vn chacun luy baisoit le derriere, auec vne
chandelle ardente.'[1] The witches of North Berwick in 1590 mention
candles as part of the ritual:
'At ther meting be nycht in the
kirk of Northberick, the deuell, cled in a blak gown with a blak hat upon
his head, preachit vnto a gret nomber of them out of the pulpit, having
lyk leicht candles rond about him.'——John Fian blew up the Kirk doors, and
blew in the lights, which were like mickle black candles, holden in an old
man's hand, round about the pulpit.[3]——[John Fian] was taken to North
Berwick church where Satan commanded him to make him homage with the rest
of his servants; where he thought he saw the light of a candle, standing
in the midst of his servants, which appeared blue lowe [flame].'[4]
In 1594 at Puy-de-Dòme Jane
Bosdeau went 'at Midnight on the Eve of St John into a Field, where there
appeared a great Black Goat with a Candle between his Horns'.[5] At
Aberdeen in 1597 Marion Grant confessed that 'the Deuill apperit to the,
within this auchteine dayis or thairby, quhome thow callis thy god, about
ane hour in the nicht, and apperit to the in ane gryte man his lickness,
in silkin abuilzeament [habiliment], withe ane quhyt candill in his
hand'.[6] In 1598 the witches whom Boguet tried said that——
'les Sorciers estans assemblez en
leur Synagogue adorent premierement Satan, qui apparoit là, tantost en
forme d'vn grand homme noir, tantost en forme de bouc, & pour plus grand
hommage, ils luy offrent des chandelles, qui rendent vne flamme de couleur
bleüe. Quelquefois encor il tient vne image noire, qu'il fait baiser aux
Sorciers. Antide Colas & ses compagnes, en baisant ceste image, offroient
vne chandelle ou buche d'estrain ardente. Ces chandelles leur sont
baillées par le Diable, & se perdent & esuanouissent dés lors qu'elles luy
ont esté offertes. Il s'en est trouué qui ont confessé qu'ils alloient
allumer le plus soutient leurs chandelles à vne autre chandelle, que le
Demon, estant en forme de bouc, portoit au dessus de la teste entre les
deux cornes.'[7]
[1. Bodin, Fléau, p. 187.
2. Melville, p. 395.
3. Pitcairn, i, pt. ii, p. 246.
The ploughman, Gray Meal, who took a large part in the ceremonies, was an
old man.
4. Id., i, pt. ii, p. 210.
5. F. Hutchinson, Hist. Essay,
p. 42.
6. Spalding Club Misc., i,
p. 172.
7. Boguet, p. 131.]
Some of the witches of the
Basses-Pyrénées, tried in 1609, said that the Devil was——
'comme vn grand bouc, ayãt deux
cornes deuant & deux en derriere. Mais le commun est qu'il a seulement
trois cornes, & qu'il a quelque espece de lumiere en celle du milieu, de
laquelle il a accoustumé au sabbat d'esclairer, & donner du feu & de la
lumiere, mesmes à ces Sorcieres qui tiennent quelques chandelles alumees
aux ceremonies de la Messe qu'ils veulent contrefaire. On luy voit aussi
quelque espece de bonet on chapeau au dessus de ses cornes.——Toute
l'assemblee le vient adorer le baisant sous la queuë, & allumant des
chandelles noires.'[1]
Barthélemy Minguet of Brécy, a man
of twenty-five, tried in 1616, described the ceremonies of the Sabbath;
after the sermon the worshippers 'vont à l'offerte, tenant en leurs mains
des chandelles de poix noire qui leur sont données par le Diable . In 1646
Elizabeth Weed of Great Catworth, Hunts, .confessed that the Devil came to
her at night, 'and being demanded what light was there, she answered, none
but the light of the Spirit.'[3] In 1652 a French witch stated that at the
Sabbath 'on dansait sans musique, aux chansons. Toutes les femmes y
étoient tenues par les diables par lors il y avoit de la lumière une
chandelle tenue au millieu par une femme que ne connoit. . . Au milieux il
y auoit une feme masquée tenant une chandelle.'[4] Barton's wife was at a
witch meeting in the Pentland Hills, 'and coming down the hill when we had
done, which was the best sport, he [the Devil] carried the candle in his
bottom under his tail, which played ey wig wag wig wag.", Helen Guthrie in
1661 does not expressly mention candles or torches, but her description of
the flickering light on the ground suggests their use. She I was at a
meiting in the churchyeard of Forfar in the Holfe therof, and they daunced
togither, and the ground under them wes all fyre
[1. De Lancre, Tableau, pp.
68, 401.
2. Id., L'Incredulité p.
805.
3. Davenport, p. 2.
4. Van Elven, La Tradition,
v (1891), p. 215.
5. Sinclair, p. 163. The account
given by Barton's wife of the position of the candle on the Devil's person
is paralleled by the peculiarly coarse description of the Light-bearers at
the witch-sabbaths at Münster. Humborg, p, 120.]
flauchter'.[1] The Somerset
witches stated that, when they met, 'the Man in Black bids them welcome,
and they all make low obeysance to him, and he delivers some Wax Candles
like little Torches, which they give back again at parting.'[2] The light
seems to have been sometimes so arranged, probably in a lantern, as to be
diffused. This was the case at Torryburn, where the assembly was ht by a
light 'which came from darkness', it was sufficiently strong for the
dancers to see one another's faces, and to show the Devil wearing a cap or
hood which covered his neck and ears.'[3] The latest account of a
witch-meeting in the eighteenth century describes how the witches of
Strathdown went to Pol-nain and there were 'steering themselves to and fro
in their riddles, by means of their oars the brooms, hallooing and
skirling worse than the bogles, and each holding in her left hand a torch
of fir'.[4]
There is one account where the
candle was for use and not for ritual. John Stuart of Paisley, in 1678,
admitted the Devil and some witches into his room one night in order to
make a clay image of an enemy. 'Declares, that the black man did make the
figure of the Head and Face and two Arms to the said Effigies. Declares,
that the Devil set three Pins in the same, one in each side, and one in
the Breast: And that the Declarant did hold the Candle to them all the
time the Picture was making.'[5] John Stuart was the principal person on
this occasion, and therefore had the honour of holding the light. The
description of the event suggests that the saying 'To hold a candle to the
Devil' took its rise in actual fact.
The material of which the candles
or torches were made was pitch, according to de Lancre, and at North
Berwick the lights were 'like lighted candles' burning with a blue flame.
The white candle seems to have been essentially the attribute of the
devil, the black candles or torches being distinctive of the witches. That
the lights burned blue is due to the material of which the torches were
made. The evanescent character of the light, when a wisp of straw was
used, is noted in the evidence of Antide Colas.
[1. Kinloch, p. 120.
2. Glanvil, pt. ii, p. 139.
3. Chambers, iii, p. 298.
4. Stewart, p. 175.
5. Glanvil, pt. ii, p. 294.]
The earliest example of the
religious services occurs in 1324 in the trial of Lady Alice Kyteler: 'In
rifeling the closet of the ladie, they found a Wafer of sacramentall
bread, hauing the diuels name stamped thereon in stead of Jesus
Christ.'[1] According to Boguet (1589) the Devil did not always perform
the religious service himself, but mass was celebrated by a priest among
his followers; this custom is found in all countries and seems to have
been as common as that the Devil himself should perform the service.
'Celuy, qui est commis à faire
l'office, est reuestu d'vne chappe noire sans croix, & apres auoir mis de
l'eau dans le calice, it tourne le doz à l'autel, & puis esleue vn rond de
raue teinte en noir, au lieu de l'hostie, & lors tous les Sorciers crient
à haute voix, Maistre, aide nous. Le Diable en mesme temps pisse
dans vn trou à terre, & fait de l'eau beniste de son vrine, de laquelle
celuy, qui dit la messe, arrouse tous les assistans auec vn asperges
noir.'[2]
The Devil of the Basses Pyrénées
(1609) performed the religious ceremony himself:
'Il s'habille en Prestre pour dire
Messe, laquelle it fait semblant de celebrer auec mille fourbes &
souplesses, auprés d'vn arbre, ou parfois auprés d'vn rocher, dressant
quelque forme d'autel sur des coloñes infernales, & sur iceluy sans dire
le Confiteor, ny 1'Alleluya, tournant les feuillets d'vn
certain liure qu'il a en main, it commence à marmoter quelques mots de la
Messe, & arriuant à l'offertoire it s'assiet, & toute l'assemblee le vient
adorer le baisant sous la queuë, & allumant des chandelles noires: Puis
luy baisent la main gauche, tremblans auec mille angoisses, & luy offrent
du pain, des þufs, & de l'argent: & la Royne du Sabbat les reçoit,
laquelle est assise à son costé gauche, & en sa main gauche elle tient vne
paix ou platine, dans laquelle est grauee l'effigie de Lucifer, laquelle
on ne baise qu'aprés l'auoir premierement baisée à elle. Puis it se met à
prescher, son subiect est communément de la vaine gloire. . . . Il finit
son sermon, & continue ses autres ceremonies, leuant vne certaine Hostie
laquelle est noire & ronde, auec sa figure imprimée au dessus: & disant
ces paroles, Cecy est mon corps, it leue l'Hostie sur ses cornes &
à cette esleuatiõ tous ceux de l'assemblee I'adore{n}t
[1. Holinshed, Ireland, p.
58.
2. Boguet, p. 141.]
en disant ces mots, Aquerra
Goity, Aquerra Beyty, Aquerra Goity, Aquerra Beyty, qui veut dire,
Cabron arriba, Cabron abaro, de mesme en font its au Calice repetant
ces mots, iusqu'à ce qu'il a vuidé tout ce qui est dans iceluy. Puis toute
l'assemblee enuironnant l'autel en forme de croissant ou demy-lune,
prosternez par terre, it leur fait vn autre sermon, puis leur baille à
communier par ordre, donnant à chacun vn petit morceau de l'hostie, & pour
leur donner moyen de l'aualer aisément, il leur donne deux gorgees de
quelque medicine infernale, & certain breuuage de si mauuais goust & odeur,
que l'aualant its suent, & neantmoins it est si froid, ou'il leur gele le
corps, les nerfs, & les moüelles. Puis il s'accouple auec elles, & leur
commande d'en faire de mesme, si bien qu'ils commettent mille incestes &
autres pechez contre nature. Puis it les inuite à se mettre à table.'[1]
At Aix in 1610 Magdalene de
Demandouls 'said that that accursed Magician Lewes [Gaufredy] did first
inuent the saying of Masse at the Sabbaths, and did really consecrate and
present the sacrifice to Lucifer. . . . She also related, that the said
Magician did sprinkle the consecrated wine vpon all the company, at which
time euery one cryeth, Sanguis eius super nos & filios nosotros.'[2]
Lord Fountainhall remarks, 'In
1670 we heard that the Devil appeared in the shape of a Minister, in the
copper mines of Sweden, and attempted the same villainous apery.'[3] The
Scotch witches, like the Swedish, performed the rite after the manner of
the Reformed Churches. In 1678——
'the devill had a great meeting of
witches in Loudian, where, among others, was a warlock who formerly had
been admitted to the ministrie in the presbyterian tymes, and when the
bishops came in, conformed with them. But being found flagitious and
wicked, was deposed by them, and now he turnes a preacher under the devill
of hellish doctrine; for the devill at this tyme preaches to his witches
really (if I may so term it) the doctrine of the infernall pitt, viz.
blasphemies against God and his son Christ. Among other things, he told
them that they were more happy in him than they could be in God; him they
saw, but God they could not see; and in mockrie of Christ and his holy
ordinance of the sacrament
[1. De Lancre, Tableau, pp.
401-2.
2. Michaelis, Hist., p.
337. The use of this phrase suggests that the sprinkling was a fertility
rite.
3. Fountainhall, i, pp. 14, 15.]
of his supper, he gives the
sacrament to them, bidding them eat it and to drink it in remembrance of
himself. This villan was assisting to Sathan in this action, and in
preaching.'[1]
Fountainhall in writing of the
same convention of witches says that the Devil 'adventured to give them
the communion or holy sacrament, the bread was like wafers, the drink was
sometimes blood sometimes black moss-water. He preached and most
blasphemously mocked them, if they offered to trust in God who left them
miserable in the world, and neither he nor his Son Jesus Christ ever
appeared to them when they called on them, as he had, who would not cheat
them.'[2]
The Abbé Guibourg (1679), head of
the Paris witches, 'a fait chez la Voisin, revêtu d'aube, d'étole et de
manipule, une conjuration.'[3] The same Abbé celebrated mass more than
once over the body of a woman and with the blood of a child, sacrificed
for the occasion, in the chalice (see section on Sacrifice). The woman,
who served as the altar for these masses, was always nude, and was the
person for whose benefit the ceremony was performed. Marguerite Montvoisin
makes this clear:
'It est vrai aussi qu'une
sage-femme qui demeurait au coin de la rue des Deux-Portes, distilla aussi
les entrailles d'un enfant dont la mère y avait accouché. . . . Avant la
distillation, les entrailles de l'enfant et l'arrière-faix de la mère
avaient été portés à Saint-Denis, à Guibourg, par sa mère, la sage-femme
et la mère de l'enfant, sur le ventre de laquelle sa mère, à son retour,
lui dit que Guibourg avait dit la messe.'[4]
Guibourg acknowledged that,
besides the one just quoted, he celebrated three masses in this way. At
the first he used a conjuration. 'It dit la deuxième messe dans une masure
sur les remparts de Saint-Denis, sur la même femme, avec les mêmes
cérémonies. . . . Dit la troisième à Paris chez la Voisin sur la même
femme.'[5] The woman mentioned in Guibourg's confession was Madame de
Montespan herself. The following conjuration was used at the first mass:
'sur le ventre d'une femme':
'Astaroth, Asmodée, princes d'amitié, je vous conjure d'accepter le
sacrifice que je vous
[1. Law, p. 145.
2. Fountainhall, i, p. 14.
3. Ravaisson, 1679-81, p. 336.
4. Id., p. 333.
5. Id., p. 335.]
présente de cet enfant pour les
choses que je vous demande, qui sont l'amitié du Roi, de Mgr le Dauphin me
soit continuée et être honorée des princes et princesses de la cour, que
rien ne me soit dénié de tout ce que je demanderai au Roi, tant pour mes
parents que serviteurs.'[1]
A very interesting case is that of
the Rev. George Burroughs in New England (1692):
'He was Accused by Eight of the
Confessing Witches, as being an Head Actor at some of their Hellish
Randezvouses, and one who had the promise of being a King in Satan's
kingdom, now going to be Erected. . . . One Lacy testify'd that she
and the prisoner [Martha Carrier] were once Bodily present at a
Witch-meeting in Salem Village; and that she knew the prisoner
to be a Witch, and to have been at a Diabolical sacrament. . . . Another
Lacy testify'd that the prisoner was at the Witch-meeting,
in Salem Village , where they had Bread and Wine Administred unto
them. . . . Deliverance Hobbs affirmed that this [Bridget] Bishop
was at a General Meeting of the Witches, in a Field at Salem-Village, and
there partook of a Diabolical Sacrament in Bread and Wine then administred.'[2]
Hutchinson had access to the same
records and gives the same evidence, though even more strongly: 'Richard
Carrier affirmed to the jury that he saw Mr. George Burroughs at the witch
meeting at the village and saw him administer the sacrament. Mary Lacy,
senr . and her daughter Mary affirmed that Mr. George Burroughs
was at the witch meetings with witch sacrements, and that she knows Mr.
Burroughs to be of the company of witches.'[3] John Hale has a similar
record: 'This D. H. [Deliverance Hobbs] confessed she was at a Witch
Meeting at Salem Village. . . . And the said G. B. preached to them, and
such a Woman was their Deacon, and there they had a Sacrament.'[4] Abigail
Williams said 'that the Witches had a Sacrament that day at an house in
the Village, and that they had Red Bread and Red Drink .'[5]
With the evidence before him Mather seems justified in saying that the
witches had 'their Diabolical Sacraments, imitating the Baptism and
the Supper of our Lord'.[6]
[1. Ravaisson, p. 335.
2. Cotton Mather, pp. 120, 131,
158.
3. J. Hutchinson, Hist. Of
Massachusetts Bay, ii, p. 55.
4. Burr, p. 417.
5. Increase Mather, p. 210.
6. Cotton Mather, p. 81.]
There are four forms of sacrifice:
(1) the blood sacrifice, which was performed by making an offering of the
witch's own blood; (2) the sacrifice of an animal; (3) the sacrifice of a
human being, usually a child; (4) the sacrifice of the god.
1. The blood-sacrifice took
place first at the admission of the neophyte. Originally a sacrifice, it
was afterwards joined to the other ceremony of signing the contract, the
blood serving as the writing fluid; it also seems to be confused in the
seventeenth century with the pricking for the Mark, but the earlier
evidence is clear. A writer who generalizes on the witchcraft religion and
who recognizes the sacrificial nature of the act is Cooper; as he wrote in
1617 his evidence belongs practically to the sixteenth century. He says:
'In further token of their
subiection unto Satan in yeelding vp themselues wholy vnto his deuotion,
behold yet another ceremony heere vsually is performed: namely,
to let themselues bloud in some apparant place of the body, yeelding
the same to be sucked by Satan, as a sacrifice vnto him, and
testifying thereby the full subiection of their liues and soules
to his deuotion.'[1]
The earliest account of the
ceremony is at Chelmsford in 1556. Elizabeth Francis 'learned this arte of
witchcraft from her grandmother. When shee taughte it her, she counseiled
her to geue of her bloudde to Sathan (as she termed it) whyche she
delyuered to her in the likenesse of a whyte spotted Catte. Euery time
that he [the cat] did any thynge for her, she sayde that he required a
drop of bloude, which she gaue him by prycking herselfe.' Some time after,
Elizabeth Francis presented the Satan-cat to Mother Waterhouse, passing on
to her the instructions received from Elizabeth's grandmother. Mother
Waterhouse 'gaue him for his labour a chicken, which he fyrste required of
her and a drop of her blod. And thys she gaue him at all times when he dyd
any thynge for her, by pricking her hand or face and puttinge
[1. Cooper, p. 91.]
the blond to hys mouth whyche he
sucked.'[1] In 1566 John Walsh, a Dorset witch, confessed that 'at the
first time when he had the Spirite, hys sayd maister did cause him to
deliuer one drop of his blud, whych bloud the Spirite did take away vpon
hys paw'.[2] In Belgium in 1603 Claire Goessen, 'après avoir donné à boire
de son sang à Satan, et avoir bu du sien, a fait avec lui un pacte.'[3]
In the case of the Lancashire
witch, Margaret Johnson, in 1633, it is difficult to say whether the
pricking was for the purpose of marking or for a blood sacrifice; the
slight verbal alterations in the two MS. accounts of her confession
suggest a confusion between the two ideas; the one appears to refer to the
mark, the other (quoted here) to the sacrifice: 'Such witches as have
sharp bones given them by the devill to pricke them, have no pappes or
dugges whereon theire devil may sucke; but theire devill receiveth bloud
from the place, pricked with the bone; and they are more grand witches
than any yt have marks.'[4] In Suffolk in 1645 'one Bush of
Barton widdow confessed that the Deuill appeared to her in the shape of a
young black man . . . and asked her for bloud, which he drew out of her
mouth, and it dropped on a paper'.[5] At Auldearne, in 1662, the blood was
drawn for baptizing the witch; Isobel Gowdie said, 'The Divell marked me
in the showlder, and suked owt my blood at that mark, and spowted it in
his hand, and, sprinkling it on my head, said, "I baptise the, Janet, in
my awin name."' Janet Breadheid's evidence is practically the same: 'The
Divell marked me in the shoulder, and suked out my blood with his mowth at
that place; he spowted it in his hand, and sprinkled it on my head. He
baptised me thairvith, in his awin nam, Christian.'[6]
2. The sacrifice of animals
was general, and the accounts give a certain amount of detail, but the
ceremony was not as a rule sufficiently dramatic to be considered worth
recording. The actual method of killing the animal is hardly ever given.
The rite was usually performed privately by an individual; on
[1. Chelmsford Witches, pp.
24, 26, 29, 30. Philobiblon Society, viii.
2. Examination of John Walsh.
3. Cannaert, p. 48.
4. Whitaker, p. 216.
7. Stearne, p. 29.
6 Pitcairn, iii, pp. 603, 617.]
rare occasions it was celebrated
by a whole Coven, but it does not occur at the Great Assembly, for there
the sacrifice was of the God himself. The animals offered were generally a
dog, a cat, or a fowl, and it is noteworthy that these were forms in which
the Devil often appeared to his worshippers.
The chief authorities all agree as
to the fact of animal sacrifices. Cotta compares it with the sacrifices
offered by the heathen:
' Some bring their cursed Sorcery
vnto their wished end by sacrificing vnto the Diuell some liuing
creatures, as Serres likewise witnesseth, from the confession of
Witches in Henry the fourth of France deprehended, among
whom, one confessed to haue offered vnto his Deuill or Spirit a Beetle.
This seemeth not improbable, by the Diabolicall litations (sic) and
bloudy sacrifices, not onely of other creatures, but euen of men,
wherewith in ancient time the heathen pleased their gods, which were no
other then Diuels.'[1]
The number of sacrifices in the
year is exaggerated by the writers on the subject, but the witches
themselves are often quite definite in their information when it happens
to be recorded. It appears from their statements that the rite was
performed only on certain occasions, either to obtain help or as a
thank-offering. Danaeus, speaking of the newly admitted witch, says, 'Then
this vngracious and new servant of satan, euery day afterward offreth
something of his goods to his patrone, some his dogge, some his hen, and
some his cat.'[2] Scot, who always improves on his original, states that
the witches depart after the Sabbath, 'not forgetting euery daie
afterwards to offer to him, dogs, cats, hens, or bloud of their owne.'[3]
The earliest witch-trial in the
British Isles shows animal sacrifice. In 1324 in Ireland Lady Alice
Kyteler 'was charged to haue nightlie conference with a spirit called
Robin Artisson, to whom she sacrificed in the high waie .ix. red
cocks'.[4] In 1566 at Chelmsford Mother Waterhouse 'gaue him [i.e. the
Satan-cat] for his labour a chicken, which he fyrste required of her, and
a drop of her blod . . . Another tyme she rewarded hym as before, wyth a
chicken and a droppe
[1. Cotta, p. 114.
2. Danaeus, ch. iv.
3. R. Scot, Bk. III, p. 44.
4. Holinshed, Ireland, p.
58.]
of her bloud, which chicken he
eate vp cleane as he didde al the rest, and she cold fynde remaining
neyther bones nor fethers.'[1] Joan Waterhouse, daughter of Mother
Waterhouse, a girl of eighteen, said that the Deuil came in the likeness
of a great dog, 'then asked hee her what she wolde geue hym, and she saide
a red kocke'.[2] John Walsh of Dorset, in 1566, confessed that 'when he
would call him [the Spirit], hee sayth hee must gene hym some Iyuing
thing, as a Chicken, a Cat, or a Dog. And further he sayth he must geue
hym twoo lyuing thynges once a yeare.'[3] In Lorraine in 1589 Beatrix
Baonensis said, 'Etliche geben junge Hüner, oder wohI alte Hüner, wie
Desideria Pari iensis, und Cathelonia Vincentia gethan hatten: Etliche
schneiden ihre Haar ab und lieffern dieselbe dahin, etliche geben Späher,
etliche Vögel oder sonst nicht viel besonders, als da sein möchte gemüntz
Geld aus Rindern Ledder, und wenn sie dergleichen nichts haben, so
verschafft es ihnen ihr Geist, auff dass sie staffirt seyn.'[4] In
Aberdeen in 1597 Andro Man gave evidence that 'the Devill thy maister,
whom thow termis Christsunday . . . is rasit be the speking of the word
Benedicte, and is laid agane be tacking of a dog vnder thy left oxster
in thi richt hand, and casting the same in his mouth, and speking the word
Maikpeblis.'[5] At Lang Niddry in 1608 the whole Coven performed a
rite, beginning at the 'irne zet of Seatoun', where they christened a cat
by the name of Margaret, 'and thaireftir come all bak agane to the Deane-fute,
quhair first thai convenit, and cuist the kat to the Devill.'[6] In 1630
Alexander Hamilton had consultations with the Devil near Edinburgh, 'and
afoir the devill his away passing the said Alexr was in use to cast to him
ather ane kat or ane laif or ane dog or any uther sic beast he come
be.'[7] In Bute in
[1. Philobiblon Society, viii,
Chelmsford Witches, pp. 29, 30.
2. Id. ib., viii, p. 34.
3. Examination of John Walsh.
4. Remigius, pt. i, p. 54.
5. Spalding Club Misc., i,
p. 120; Burton, i, p. 252.
6. Pitcairn, ii, pp. 542-3.
7. From an unpublished trial in
the Justiciary Court at Edinburgh. The meaning of the word laif is
not clear. The Oxford dictionary gives lop-eared, the Scotch
dictionary gives loaf . By analogy with the other accounts one
would expect here a word meaning a hen.]
1622 Margaret NcWilliam 'renounced
her baptisme and he baptised her and she gave him as a gift a hen or
cock'.[1] In modern France the sacrifice of a fowl to the Devil still
holds good: 'Celui qui veut devenir sorcier doit aller à un quatre
chemins avec une poule noire, ou bien encore au cimetière,
sur une tombe et toujours à minuit. Il vient alors quelqu'un
qui demande: "Que venez vous faire ici?" "Jai une poule à vendre," répond-on.
Ce quelqu'un [est] le Méchanté.'[2]
It is possible that the custom of
burying a live animal to cure disease among farm animals, as well as the
charm of casting a live cat into the sea to raise a storm, are forms of
the animal sacrifice.
3. Child Sacrifice.——'The
child-victim was usually a young infant, either a witch's child or
unbaptized; in other words, it did not belong to the Christian community.
This last is an important point, and was the reason why unbaptized
children were considered to be in greater danger from witches than the
baptized. 'If there be anie children vnbaptised, or not garded with the
signe of the crosse, or orizons; then the witches may, or doo catch them
from their mothers sides in the night, or out of their cradles, or
otherwise kill them with their ceremonies.'[3] The same author quotes from
the French authorities the crimes laid to the charge of witches, among
which are the following: 'They sacrifice their owne children to the diuell
before baptisme, holding them vp in the aire vnto him, and then thrust a
needle into their braines'; and 'they burne their children when they haue
sacrificed them'.[4] Boguet says, 'Les Matrones, & sages femmes sont
accoustumé d'offrir à Satan les petits enfans qu'elles reçoiuent, & puis
les faire mourir auant qu'ils soient baptizez, par le moye{n} d'vne grosse
espingle qu'elles leur enfoncent dans le cerueau.'[5] Boguet's words imply
that this was done at every birth at which a witch officiated; but it is
impossible that this should be the case; the sacrifice was probably made
for some special purpose, for which a new-born child was the appropriate
victim.
The most detailed account of such
sacrifices is given in the trial of the Paris witches (1679-81), whom
Madame de
[1. Highland Papers, iii,
p. 18.
2. Lemoine, vi, p. 109.
3. Reg. Scot, Bk. III, p. 41.
4. Id., Bk. II, p. 32.
5. Boguet, p.205.]
Montespan consulted. The whole
ceremony was performed to the end that the love of Louis XIV should return
to Madame de Montespan, at that time his discarded mistress; it seems to
be a kind of fertility rite, hence its use on this occasion. The Abbé
Guibourg was the sacrificing priest, and from this and other indications
he appears to have been the Chief or Grand-master who, before a less
educated tribunal, would have been called the Devil. Both he and the girl
Montvoisin were practically agreed as to the rite; though from the girl's
words it would appear that the child was already dead, while Guibourg's
evidence implies that it was alive. Both witnesses gave their evidence
soberly and gravely and without torture. Montvoisin, who was eighteen
years old, stated that she had presented 'à la messe de Madame de
Montespan, par l'ordre de sa mère, un enfant paraissant né avant terme, le
mit dans un bassin, Guibourg l'égorgea, versa dans le calice, et consacra
le sang avec hostie'. Guibourg's evidence shows that the sacrifice was so
far from being uncommon that the assistants were well used to the work,
and did all that was required with the utmost celerity:
'Il avait acheté un écu l'enfant
qui fut sacrifié à cette messe qui lui fut présenté par une grande fille
et ayant tiré du sang de l'enfant qu'il piqua à la gorge avec un canif, it
en versa dans le calice, après quoi l'enfant fut retiré et emporté dans un
autre lieu, dont ensuite on lui rapporta le cþur et les entrailles pour en
faire une deuxieme [oblation].'[1]
In Scotland it was firmly believed
that sacrifices of children took place in all classes of society: 'The
justices of the peace were seen familiarly conversing with the foul fiend,
to whom one in Dumfries-shire actually offered up his firstborn child
immediately after birth, stepping out with it in his arms to the
staircase, where the devil stood ready, as it was suspected, to receive
the innocent Victim.'[2] In the later witch-trials the sacrifice of the
child seems to have been made after its burying, as in the case of the
Witch of Calder in 1720, who confessed that she had given the Devil 'the
body of a dead child of her own to make a roast of'.[3]
[1. Ravaisson, p. 334, 335
2. Sharpe, p. 147.
3. Chambers, iii, p. 450.]
It is possible that the killing of
children by poison was one method of sacrifice when the cult was decadent
and victims difficult to obtain. Reginald Scot's words, written in 1584,
suggest that this was the case: 'This must be an infallible rule, that
euerie fortnight, or at the least euerie moneth, each witch must kill one
child at the least for hir part.' 'Sinistrari d'Ameno, writing about a
century later, says the same: 'They promise the Devil sacrifices and
offerings at stated times: once a fortnight or at least each month, the
murder of some child, or an homicidal act of sorcery.'[2] It is impossible
to believe in any great frequency of this sacrifice, but there is
considerable foundation in fact for the statement that children were
killed, and it accounts as nothing else can for the cold-blooded murders
of children of which the witches were sometimes accused. The accusations
seem to have been substantiated on several occasions, the method of
sacrifice being by poison.[3]
The sacrifice of a child was often
performed as a means of procuring certain magical materials or powers,
which were obtained by preparing the sacrificed bodies in several ways.
Scot says that the flesh of the child was boiled and consumed by the
witches for two purposes. Of the thicker part of the concoction 'they make
ointments, whereby they ride in the aire; but the thinner potion they put
into flaggons, whereof whosoeuer drinketh, obseruing certeine ceremonies,
immediatelie becommeth a maister or rather a mistresse in that practise
and facultie.'[4] The Paris Coven confessed that they 'distilled' the
entrails of the sacrificed child after Guibourg had celebrated the mass
for Madame de Montespan, the method being probably the same as that
described by Scot. A variant occurs in both France and Scotland, and is
interesting as throwing light on the reasons for some of the savage rites
of the witches: 'Pour ne confesser iamais le secret de l'escole, on faict
au sabbat vne paste de millet noir, auec de la poudre du foye de quelque
enfant non baptisé qu'on faict secher, puis
[1. Scot, Bk. III, p. 42.
2. Sinistrari de Ameno, p. 27.
3. See, amongst others, the
account of Mary Johnson (Essex, 1645), who was accused of poisoning two
children; the symptoms suggest belladonna. Howell, iv, 844, 846.
4. Scot, Bk. III, p. 41.]
meslant cette poudre avec ladicte
paste, elle a cette vertu de taciturnité: si bien que qui en mange ne
confesse iamais.'[1] At Forfar, in 1661, Helen Guthrie and four others
exhumed the body of an unbaptized infant, which was buried in the
churchyard near the south-east door of the church, 'and took severall
peices therof, as the feet, hands, a pairt of the head, and a pairt of the
buttock, and they made a py therof, that they might eat of it, that by
this meanes they might never make a confession (as they thought) of their
witchcraftis.'[2] Here the idea of sympathetic magic is very clear; by
eating the flesh of a child who had never spoken articulate words, the
witches' own tongue's would be unable to articulate.
4. Sacrifice of the God.——The
sacrifice of the witch-god was a decadent custom when the records were
made in the sixteenth and seventeenth centuries. The accounts of the
actual rite come from France and Belgium, where a goat was substituted for
the human victim. The sacrifice was by fire in both those countries, and
there are indications that it was the same in Great Britain. It is
uncertain whether the interval of time between the sacrifices was one,
seven, or nine years.
Bodin and Boguet, each writing
from his own knowledge of the subject, give very similar accounts, Bodin's
being the more detailed. In describing a trial which took place in
Poictiers in 1574, he says: 'Là se trouuoit vn grand bouc noir, qui
parloit comme vne personne aux assistans, & dansoyent à l'entour du bouc:
puis vn chacun luy baisoit le derriere, auec vne chandelle ardente: & celà
faict, le bouc se consommoit en feu, & de la ce{n}dre chacun en prenoit
pour faire mourir le bþuf [etc.]. Et en fin le Diable leur disoit d'vne
voix terrible des mots, Vengez vous ou vous mourrez.'[3] Boguet says that
in the Lyons district in 1598 the Devil celebrated mass, and 'apres auoir
prins la figure d'vn Bouc, se consume en feu, & reduit en cendre, laquelle
les Sorciers recueillent, & cachent pour s'en seruir à l'execution de
leurs desseins pernicieux & abominables'.[4] In 1603, a Belgian witch,
Claire Goessen, was present at such a sacrifice, and her account is
therefore that of an eyewitness. 'Elle s'est laissée transporter à
l'assemblée
[1. De Lancre, Tableau, p.
128.
2. Kinloch, p. 121.
3. Bodin, Fléau, pp. 187-8.
4. Boguet, p. 141.]
nocturne de Lembeke, où, après la
danse, elle a, comme tous les assistans, baisé un bouc à l'endroit de sa
queue, lequel bouc fut ensuite brûlè et ses cendres distribuées et
emportées par les convives.'[1] Jeanne de Belloc in 1609 'a veu le Grand
maistre de l'assemblee se ietter dans les flammes an sabbat, se faire
brusler iusques à ce qu'iI estoit reduit en poudre, & les grandes &
insignes sorcieres prendre les dictes poudres pour ensorceler les petits
enfants & les metier an sabbat, & en prenoient aussi dans la bouche pour
ne reueler iamais'.[2] A French witch in 16S2 declared that at the Sabbath
'le diable s'y at mis en feu et en donné des cendres lesquelles tous
faisaient voller en I'air pour faire mancquer les fruits de la terre'.[3]
At Lille in 1661 the girls in Madame Bourignon's orphanage stated that 'on
y adoroit une bète; & qu'on faisoit avec elle des infamies; & puis sur la
fin on la brûloit, & chacun en prenoit des cendres, avec lesquelles on
faisoit languir ou mourir des personnes, ou autres animaux.'[4]
The collection and use of the
ashes by the worshippers point to the fact that we have here a sacrifice
of the god of fertility. Originally the sprinkling of the ashes on fields
or animals or in running water was a fertility charm; but when
Christianity became sufficiently powerful to attempt the suppression of
the ancient religion, such practices were represented as evil, and were
therefore said to be 'pour faire mancquer les fruits de la terre'.
The animal-substitute for the
divine victim is usually the latest form of the sacrifice; the intervening
stages were first the volunteer, then the criminal, both of whom were
accorded the power and rank of the divine being whom they personated. The
period of time during which the substitute acted as the god varied in
different places; so also did the interval between the sacrifices. Frazer
has pointed out that the human victim, whether the god himself or his
human substitute, did not content himself by merely not attempting to
escape his destiny, but in many cases actually rushed on his fate, and
died by his own hand or by voluntary submission to the sacrificer.
[1. Cannaert, p. 50.
2. De Lancre, Tableau, p.
133.
3. La Tradition, 1891, V, p. 215.
Neither name nor place are given.
4. Bourignon, Parole, p.
87.]
The witch-cult being a survival of
an ancient religion, many of the beliefs and rites of these early
religions are to be found in it. Of these the principal are: the voluntary
substitute, the temporary transference of power to the substitute, and the
self-devotion to death. As times changed and the ceremonies could no
longer be performed openly, the sacrifices took on other forms. I have
already suggested that the child-murders, of which the witches were often
convicted, were in many cases probably offerings made to the God. In the
same way, when, the time came for the God or his substitute to be
sacrificed, recourse was had to methods which hid the real meaning of the
ceremony; and the sacrifice of the incarnate deity, though taking place in
public, was consummated at the hands of the public executioner. This
explanation accounts for the fact that the bodies of witches, male or
female, were always burnt and the ashes scattered; for the strong
prejudice which existed, as late as the eighteenth century, against any
other mode of disposing of their bodies; and for some of the otherwise
inexplicable occurrences in connexion with the deaths of certain of the
victims.
Read in the light of this theory
much of the mystery which surrounds the fate of Joan of Arc is explained.
She was put to death as a witch, and the conduct of her associates during
her military career, as well as the evidence at her trial, bear out the
fact that she belonged to the ancient religion, not to the Christian. Nine
years after her death in the flames her commander, Gilles de Rais, was
tried on the same charge and condemned to the same fate. The sentence was
not carried out completely in his case; he was executed by hanging, and
the body was snatched from the fire and buried in Christian ground. Like
Joan herself, Gilles received a semi- canonization after death, and his
shrine was visited by nursing mothers. Two centuries later Major Weir
offered himself up and was executed as a witch in Edinburgh, refusing to
the end all attempts to convert him to the Christian point of view.
The belief that the witch must be
burnt and the ashes scattered was so ingrained in the popular mind that,
when the severity of the laws began to relax, remonstrances were made by
or to the authorities. In 1649 the Scotch General Assembly has a record:
'Concerning the matter of the buriall of the Lady Pittadro, who, being
vnder a great scandall of witchcraft, and being incarcerat in the Tolbuith
of this burgh during her triall before the justice, died in prison, The
Comission of the Generall Assembly, having considered the report of the
Comittee appointed for that purpose, Doe give their advyse to the
Presbyterie of Dumfermling to show their dislike of that fact of the
buriall of the Lady Pittadro, in respect of the maner and place, and that
the said Presbyterie may labour to make the persons who hes buried her
sensible of their offence in so doeing; and some of the persons who buried
hir, being personallie present, are desired by the Comission to shew
themselvis to the Presbyterie sensible of their miscarriage therein.'[1]
At Maidstone in 1652 'Anne Ashby,
alias Cobler, Anne Martyn, Mary Browne, Anne Wilson, and Mildred Wright of
Cranbrook, and Mary Read, of Lenham, being legally convicted, were
according to the Laws of this Nation, adjudged to be hanged, at the common
place of Execution. Some there were that wished rather, they might be
burnt to Ashes; alledging that it was a received opinion among many, that
the body of a witch being burnt, her bloud is prevented thereby from
becomming hereditary to her Progeny in the same evill.'[2] The witches
themselves also held the belief that they ought to die by fire. Anne
Foster was tried for witchcraft at Northampton in 1674: 'after Sentence of
Death was past upon her, she mightily desired to be Burned; but the Court
would give no Ear to that, but that she should be hanged at the Common
place of Execution.'[3]
The magic words known to the
witches were used only for certain definite purposes, the most important
use being to raise the Devil. I have omitted the charms which are founded
on Christian prayers and formulas, and quote only those which appear to
belong to the witch-cult.
In the section on Familiars
it will be seen how the witches
[1. Scot. Hist. Soc., xxv,
p. 348. See also Ross, Aberdour and Inchcolme, p. 339.
2. Prod. and Trag. History,
p. 7.
3. Tryall of Ann Foster, p.
8.]
divined by means of animals, which
animals were allotted to them by the Chief. In auguries and divinations of
this kind in every part of the world a form of words is always used, and
the augury is taken by the first animal of the desired species which is
seen after the charm is spoken.
Agnes Sampson, the leading witch
of the North Berwick Coven, 1590, summoned her familiar by calling 'Elva',
and then divined by a dog, whom she dismissed by telling him to 'depart by
the law he lives on'. She also used the formula, 'Haill, hola!', and 'Hola!'
was also the cry when a cat was cast into the sea to raise a storm.' A
man-witch of Alest, 1593, gave the devil's name as Abiron: 'quand il le
vouloit voir il disoit: vien Abiron, sinon ie te quitteray.'[2] Andro Man
at Aberdeen, 1597, 'confessis that the Devill, thy maister, is rasit be
the speking of the word Benedicite, and is laid agane be tacking of
a dog vnder thy left oxster in thi richt hand, and casting the same in his
mouth, and speking the word Maikpeblis.——He grantit that this word
Benedicite rasit the Dewill, and Maikpeblis laid him againe,
strikin him on the faice with ane deice with the left hand.'[2] Alexander
Hamilton of East Lothian, 1630, when covenanting with the devil, had 'ane
battoun of fir in his hand the devill than gave the said Alexr command to
tak that battoun quhan evir he had ado with him and therewt to strek
thruse upone the ground and to chairge him to ruse up foule theiff'; the
divining animals in this case were crows, cats, and dogs.[4] Marie Lamont
of Innerkip, 1662, was instructed to call the Devil Serpent when
she desired to speak with him.[5]
The Somerset witches, 1664, cried
out Robin at an appointed place, and the Master then appeared in
his proper form as a man: Elizabeth Style and Alice Duke also called him
Robin when summoning him privately, and Elizabeth Style added, 'O
Sathan give me my purpose', before saying what she wished done.[6] The
Swedish witches, 1669, called their Chief
[1. Pitcairn, i, pt. ii, pp. 211,
235, 238
2. De Lancre, L'Incredulité,
p. 772.
3. Spalding Club Misc., i, pp.
120, 124.
4. From the record of the trial in
the Justiciary Court of Edinburgh.
5. Sharpe, p. 132.
6. Glanvil, pt. ii, pp. 137, 164.]
with the cry, 'Antecessor, come
and carry us to Blockula'; this they did at an appointed place, and the
Devil then appeared as a man.[1]
The words used before starting to
a meeting are rarely recorded; only a few remain. The earliest example is
from Guernsey in 1563, when Martin Tulouff heard an old witch cry as she
bestrode a broomstick, 'Va au nom du diable et luciffer p dessq{n}
roches et espyñes.' He then lost sight of her, with the inference that she
flew through the air, though he acknowledged that he himself was not so
successful.[2] The witches of the Basses-Pyrénées, 1609, anointed
themselves before starting, and repeated the words 'Emen hetan, emen
hetan', which de Lancre translates 'Ici et là, ici et là'. 'Quelquefois
plus furieuses elles se batent entre elles mesmes, en disant, le suis Ie
Diable, ie n'ay rien qui ne soit à toy, en ton nom Seigneur cette tien ne
seruante s'oingt, & dois estre quelque iour Diable & maling Esprit comme
toy.' When crossing water they cried, 'Haut la coude, Quillet,' upon which
they could cross without getting wet; and when going a long distance they
said, 'Pic suber hoeilhe, en ta la lane de bouc bien m'arrecoueille.'[3]
Isobel Gowdie, 1662, gives two variants of the magic words used on these
occasions: the first, 'Horse and hattock, in the Divellis name' is not
unlike the form given by Martin Tulouff; the second is longer, 'Horse and
hattock, horse and goe, Horse and pellattis, ho! ho!'[4] The Somerset
witches, 1664, when starting to the meeting, said, 'Thout, tout a tout,
tout, throughout and about'; and when returning, 'Rentum tormentum'. At
parting they cried, 'A Boy! merry meet, merry part'[7] They also had a
long form of words which were used when applying the flying ointment, but
these are not recorded.
Other magical words were used at
the religious services of the witches in the Basses-Pyrénées (1609). At
the elevation
[1. Horneck, pt. ii, p. 316.
2. From the record of the trial in
the Guernsey Greffe.
3. De Lancre, Tableau, pp.
123, 400.
4. Pitcairn, iii, pp. 604, 608.
5. Glanvil, pt. ii, pp. 139, 141.
1 have pointed out that the cry of A Boy' is possibly the Christian
recorder's method of expressing the Bacchic shout 'Evoe'. See Jour.
Man. Or. Soc., 1916-17, p. 65.]
of the host the congregation
cried, '"Aquerra goity, Aquerra beyty, Aquerra goity, Aquerra beyty," qui
veut dire Cabron arriba Cabron abaro (sic)'; at the
elevation of the chalice at a Christian service they said, 'Corbeau noir,
corbeau noir.' There were two forms of words to be used when making the
sign of the cross; the first was, 'In nomine Patrica, Aragueaco Petrica,
Agora, Agora Valentia, Iouanda, goure gaitz goustia,' translated as 'Au
nom de Patrique, Petrique, d'Arragon, à cette heure à cette heure Valence,
tout nostre mal est passé'. The second roused de Lancre's horror as
peculiarly blasphemous: 'In, nomine patrica, Aragueaco Petrica, Gastellaco
Ianicot, Equidae ipordian pot,' 'au nom de Patrique, petrique d'Arragon.
Iannicot de Castille faictes moy vn baiser au derriere.'[1] The mention of
the ancient Basque god Janicot makes this spell unusually interesting. As
the dances were also a religious rite the words used then must be recorded
here. Bodin gives the formula, 'Har, har, diable, diable, saute icy, saute
là, iouë icy, iouë là: Et les autres disoyent sabath sabath.'[2] The word
diable is clearly Bodin's own interpellation for the name of the
God, for the Guernsey version, which is currently reported to be used at
the present day, runs 'Har, har, Hou, Hou, danse ici', etc.; Hou being the
name of an ancient Breton god.[3] Jean Weir (1670) stated that at the
instigation of some woman unnamed she put her foot on a cloth on the floor
with her hand upon the crown of her head, and repeated thrice, 'All my
cross and troubles go to the door with thee.'[4] This seems to have been
an admission ceremony, but the words are of the same sentiment as the one
recorded by de Lancre, 'tout notre mat est passé.'
There were also certain magical
effects supposed to be brought about by the use of certain words. Martin
Tulouff (1563) claimed that he could bewitch cows so that they gave blood
instead of milk, by saying 'Butyrum de armento', but he admitted that he
also used powders to accomplish his
[1. De Lancre, Tableau, pp.
401, 461, 462, 464.
2 Bodin, p. 190.
3. The names of the smaller
islands are often compounded with the name of this deity, e.g. Li-hou,
Brecq-hou, &c.
4. Law, p. 27 note.]
purpose.[1] Isobel Gowdie (1662)
described how the witches laid a broom or a stool in their beds to
represent themselves during their absence at a meeting. By the time that
this record was made the witches evidently believed that the object took
on the exact appearance of the woman, having forgotten its original
meaning as a signal to show where she had gone. The words used on these
occasions show no belief in the change of appearance of the object:
'I lay down
this besom [or stool] in the Devil's name,
Let it not stir till I come again.'
Her statements regarding the
change of witches into animals I have examined in the section on Familiars
(p. 234). The words used to effect these changes are given in full. When a
witch wished to take on the form of a hare she said:
'I sall goe
intill ane haire,
With sorrow, and sych, and meikle caire;
And I sall goe in the Divellis nam,
Ay quhill I com hom againe.'
To change into a cat or a crow the
last two lines were retained unaltered, but the first two were
respectively,
'I sall goe
intill ane catt,
With sorrow, and sych, and a blak shot'
or
'I sall goe
intill a craw,
With sorrow, and sych, and a blak thraw.'
To return into human form the
witch said:
'Haire, haire,
God send thee caire.
I am in an haire's liknes just now,
Bot I sal be in a womanis liknes ewin now.'
From a cat or a crow, the words
were 'Cat, cat, God send thee a blak shott' or 'Craw, craw, |